My name is Tonje Haugland Sørensen, and I am currently attached to the department as a postdoctoral fellow. My project, tentatively named Overview - the art of the aerial concerns itself with the aerial perspective in a broad cultural context, but with a particular focus on perception and the visual in modern warfare. I work within the fields of Art and Visual Culture, with a particular focus on the reception of History and Historiography. My PhD, The Second World War in Norwegian film : the topography of remembrance concerned itself with Norwegian cinematic productions about WW2. An important part of my work and interests relates to Norwegian and German art in the nineteenth and early twentieth century.  

Academic chapter/article/Conference paper

• Sørensen, Tonje Haugland (2023). A Villa for the World: Prefabricated Houses, National Romanticism and Norwegian Colonial Entanglement.. (external link)
• Sørensen, Tonje Haugland (2021). Slindebirken – en nasjonal relikvie. (external link)
• Sørensen, Tonje Haugland (2019). Aktivisten Johan Christian Dahl - Historie og Kulturminner som felles arv og ansvar. (external link)
• Sørensen, Tonje Haugland (2016). Memory, Mosaics and the Monarch: The Neo-Byzantine Mosaics an the Kaiser-Wilhelm-Gedächtniskirche. (external link)
• Sørensen, Tonje Haugland (2014). “Haunted topographies-landscape photography as an act of remembrance in the Neues Museum”. (external link)
• Sørensen, Tonje Haugland (2014). “The Mosaics in the Apse: Friedenskirche and the construction of a desired past”. (external link)
• Sørensen, Tonje Haugland (2012). The Sanctified Fallen: The War Film as Witness. (external link)

Academic article

• Sørensen, Tonje Haugland (2022). Destruction of a Sacrosanct Past: Iconoclasm and Norse Revival in Post-war Norway. (external link)
• Sørensen, Tonje Haugland (2019). Proudly Peripheral. (external link)
• Sørensen, Tonje Haugland (2019). Å konstruere et klassisk landskap - refleksjoner rundt det neo-klassiske Athen . (external link)
• Sørensen, Tonje Haugland (2018). The Trails of Memory?Remembering the Heavy Water Raid in Norway. (external link)
• Sørensen, Tonje Haugland (2015). Å beherske luftrommet - Fallskjermhopperen, slagfeltet og krigens vertikalitet. (external link)
• Sørensen, Tonje Haugland; Haugsbø, Tove Kårstad (2014). "Reiseskisser fra Norge i det nittende Aarhundrede.". (external link)
• Sørensen, Tonje Haugland (2012). ”…DISSE GUTTA SOM SELV LIKSOM HAR VOKST OPP AV LANDSKAPET.” – ARNE SKOUEN OG HANS OKKUPASJONSDRAMAER. (external link)
• Sørensen, Tonje Haugland (2011). Norsk krigsfilm og det erindringsteoretiske perspektiv : tilfellet Kalde spor. (external link)
• Sørensen, Tonje Haugland (2011). Norsk krigsfilm og det erindringsteoretiske perspektiv: Tilfellet Kalde Spor. (external link)

Internet exhibition

• Sørensen, Tonje Haugland (2022). Dragon Heads. (external link)

Popular scientific lecture

• Sørensen, Tonje Haugland (2022). "Vi vil leve" . (external link)
• Sørensen, Tonje Haugland (2017). Det norske okkupasjonsdramaet som filmsjanger. (external link)

Academic lecture

• Sørensen, Tonje Haugland; Pappas, MaryClaire (2022). session: Critical Explorations of Nordic Art and Vitalism. (external link)
• Sørensen, Tonje Haugland (2022). A Villa for the World: Prefabricated Houses and National Romanticism in Nineteenth-Century Norway. (external link)
• Sørensen, Tonje Haugland (2021). Emancipated Troll’s- Theodor Kittelsen from a class perspective. (external link)
• Sørensen, Tonje Haugland (2021). Destruction of a sacrosanct past - iconoclasm in the World Wars. (external link)
• Sørensen, Tonje Haugland (2020). Far North in the woods – the forest as a place of mysticism and spirituality in the works of Theodor Kittelsen . (external link)
• Sørensen, Tonje Haugland (2019). From Theotokos to Theodora: the Gendered Reception of Byzantium. (external link)
• Sørensen, Tonje Haugland (2018). Gerhard Munthe and the transnational dynamics of Norwegian national art. (external link)
• Sørensen, Tonje Haugland (2017). Visions and Dreams – Gerhard Munthe and the Draumkvedet (the Dream Lady). (external link)
• Sørensen, Tonje Haugland (2017). Alteration as preservation? The stave church as a museum object. (external link)
• Sørensen, Tonje Haugland (2016). From Antique Craft to Modern Ideology: Mosaics as public art. (external link)
• Sørensen, Tonje Haugland; Haugsbø, Tove Kårstad (2015). Meaningless landscape: From national roots to transnational routes. (external link)
• Sørensen, Tonje Haugland (2014). Medieval to Modern Transitions. (external link)
• Sørensen, Tonje Haugland (2014). Tessera and Tradition - The Neo-Byzantine chapel of Pope Pius IX in San Lorenzo Fuori le Mura, Rome. (external link)
• Sørensen, Tonje Haugland (2014). Museologisk lunsj: Jean Rouch og den surrealistiske linse - refleksjoner rundt etnografi, film og museum. (external link)
• Sørensen, Tonje Haugland (2014). Visualitet og nasjonal identitet i bokverket “Norge i det Nittende Aarhundrede”. (external link)
• Sørensen, Tonje Haugland (2013). "Airborne - perspectives of a battlefield.". (external link)
• Sørensen, Tonje Haugland (2013). Erindringens topografi – Arne Skouen og krigen på film. (external link)
• Sørensen, Tonje Haugland (2012). "To Remind One of That Which Has Been Lost--The Art of Viewing and the Legacy of the Scorched Earth in the Norwegian Film, 'Stella Polaris'". (external link)
• Sørensen, Tonje Haugland (2012). “You Must Wake Up”: The Memory of the Scorched Earth in Norwegian films. (external link)

Academic anthology/Conference proceedings

• von Bonsdorff, Anna-Maria; Ojanpära, Riitta; Sørensen, Tonje Haugland et al. (2020). European Revivals From Dreams of a Nation to Places of Transnational Exchange . (external link)

Lecture

• Sørensen, Tonje Haugland (2020). François Hartogs "Regimes of Historicity". (external link)
• Sørensen, Tonje Haugland (2016). Kongens nei. Symbolkraft og Haakon VIIs rolle under og etter andre verdenskrig. (external link)
• Sørensen, Tonje Haugland (2015). «Det står Skrækk av Navnet» - Dokumentarserien Finnmark mellom øst og vest og kampen mot stereotypiene. (external link)
• Sørensen, Tonje Haugland (2014). Berlin Neues Museums’ bruk av landskapsfotografi i tematiseringen av krigshandlingene på østfronten. (external link)

Art exhibition

• Sørensen, Tonje Haugland (2019). Reflective Exhibition Essay. (external link)

Article in business/trade/industry journal

• Sørensen, Tonje Haugland (2017). Fontenen med det gyldne taket : Historisme og modernitet i Tyskland og det Ottomanske rike c. 1900. (external link)

Academic monograph

• Brinch, Sara; Gundersen, Hege Munch; Bekken, Gunn Ragnhild Nordal et al. (2016). Forestillinger om fortid. Historisk fiksjon i film og fjernsyn. (external link)

Feature article

• Brinch, Sara; Gundersen, Hege Munch; Bekken, Gunn Ragnhild Nordal et al. (2016). Hvor virkelig er Kongens nei?. (external link)
• Sørensen, Tonje Haugland (2015). Sterke meninger om Krigen som film. (external link)

Interview

• Sørensen, Tonje Haugland (2015). Norgesglasset: – Todelt utfordring å lage krigsfilm. (external link)

Book review

• Sørensen, Tonje Haugland (2015). The last western—Deadwood and the end of American empire. (external link)
• Sørensen, Tonje Haugland (2015). Dansk film under nazismen. (external link)
• Sørensen, Tonje Haugland (2014). “Et skår i fjellet”. (external link)
• Sørensen, Tonje Haugland (2014). “Historical Film: a critical introduction.". (external link)
• Sørensen, Tonje Haugland (2013). European cinema and intertextuality. History, memory and politics. (external link)

Doctoral dissertation

• Sørensen, Tonje Haugland (2015). The Second World War in Norwegian film - the topography of Remembrance. (external link)

Museum exhibition

• Hausken, Eli Kristine Økland; Sørensen, Tonje Haugland; Achen, Henrik von (2015). Kysset, igjen og igjen. Rumenske ikoner fra Transylvania 1720-2890.. (external link)

Other presentation

• Sørensen, Tonje Haugland (2013). “Kalde Spor. Å være gjemt, men ikkje glemt”. (external link)

See a complete overview of publications in Cristin.