Marianne Gunderson
Position
Postdoctoral Fellow, ALGOFOLK
Affiliation
Short info
Research
Marianne Gunderson is a postdoctoral researcher at the Center for Digital Narrative in Bergen, as a part of the ALGOFOLK project (“Algorithmic folklore: The mutual shaping of vernacular creativity and automation”) funded by a Trond Mohn Foundation Starting Grant (2024-2028). Marianne holds a PhD in Digital Culture from the University of Bergen, where she was part of the ERC-funded project “Machine Vision in Everyday Life” and a master in Gender Studies from the University of Oslo. She has previously written about algorithmic imaginaries and the TikTok algorithm, nonhuman monsters in weird fiction, and omegaverse fanfiction. Her current project is on AI weirdness, slop, and botshit, which she is studying through the concept of algorithmic monsters.
Publications
Academic article
- Marianne Gunderson (2021). Populærkulturelle forestillinger av utvidet virkelighet: Makt og (u) leselige identiteter når verden blir en skjerm. (external link)
- Jill Walker Rettberg; Linda Maria Jessica Kronman; Ragnhild Solberg et al. (2022). Representations of Machine Vision Technologies in Artworks, Games and Narratives: Documentation of a Dataset. (external link)
- Marianne Gunderson (2017). Other Ethics: Decentering the Human in Weird Horror. (external link)
- Marianne Gunderson; Ragnhild Solberg; Linda Maria Jessica Kronman et al. (2023). Machine vision situations: Tracing distributed agency. (external link)
- Jill Walker Rettberg; Marianne Gunderson; Linda Kronman et al. (2019). Mapping Cultural Representations of Machine Vision: Developing Methods to Analyse Games, Art and Narratives. (external link)
- Marianne Gunderson; Soprhie Hansal (2020). Toward a fannish methodology: Affect as an asset. (external link)
Conference lecture
- Marianne Gunderson (2021). The Internet of Eyes: Lively Devices in Digital Horror. (external link)
- Marianne Gunderson (2019). The Internet of Eyes – hostile devices in digital horror stories. (external link)
- Marianne Gunderson (2019). Your camera has detected motion. (external link)
- Marianne Gunderson (2022). An algorithm of one’s own: TikTok’s For You Page algorithm and the self. (external link)
- Marianne Gunderson (2020). Når virkeligheten blir en skjerm: Populærkulturelle forestillinger av AR-syn. (external link)
- Marianne Gunderson (2020). HOW DOES IT FEEL TO BE SEEN BY A MACHINE: LIVELY DEVICES IN DIGITAL HORROR. (external link)
- Jill Walker Rettberg; Marianne Gunderson; Linda Kronman et al. (2021). Identifying, Deceiving, Protecting and Hunting: What Fictional Machines and Humans Do with Machine Vision Technologies. (external link)
- Marianne Gunderson (2021). Tiktok’s algorithmic mirror. (external link)
- Marianne Gunderson (2021). Feeling seen: TikTok's Uncanny Ocular Powers. (external link)
- Marianne Gunderson (2020). THE INTERNET OF EYES: MACHINE VISION IN DIGITAL HORROR. (external link)
- Marianne Gunderson; Jill Walker Rettberg (2019). Haunted Cameras and the Agency of Technology. (external link)
- Jill Walker Rettberg; Marianne Gunderson; Linda Kronman et al. (2019). Mapping Cultural Representations of Machine Vision: Developing Methods to Analyse Games, Art and Narratives. (external link)
Research report
- Jill Walker Rettberg; Marianne Gunderson; Linda Maria Jessica Kronman et al. (2024). Machine vision in everyday life: Final report. (external link)
- Marianne Gunderson; Wester Coenraads; Gaurish Thakkar et al. (2020). Machine Vision Creepypasta: Surveillance Devices in Digital Horror. (external link)