Arnulf Christian Mattes
Position
Professor, Leader of Centre for Grieg Research, UiB
Affiliation
Research groups
Short info
My more recent research addresses cultural-historical aspects of art music of the 19th and 20th centuries as part of collective cultural memory and national 'heritage.
Research
Specialisms:
Historical Musicology (19th and 20th century)
Music historiography
Music philosophy
Music and cultural memory
Music and historical performance practice
Digital music edition
Musical modernism
Norwegian art music and musical heritage
Teaching
Courses and supervision:
Courses given since 2012:
Grieg Academy – Department of Music, University of Bergen: Bachelor courses (ECT: 10/15 points):
- MVK 104 Grieg studies (course leader)
- MVK 250 Bachelor Thesis in Musicology (supervisor)
- MVK 100 Introduction to Musicology (lecturer).
Department of music, University of Oslo: Master/bachelor courses, organiser, lecturer, examiner:
- MUS 4501/2501 – Current Musicological Research: Listening to the Twentieth Century and Beyond
- MUS 4216 – Musicological methodologies (Musikkvitenskapelig metode: Historie, estetikk, analyse)
- MUS 4500/2500 – Current Musicological Research
- MUS 1105 – History of music philosophy and history of musicology (Ex. fac.)
- MUS 1400 and MUS 1430 – Music history (Musikkhistorie - Vestlig kunstmusikk)
Norwegian Academy of Music (NMH) Master/bachelor courses, organiser, lecturer, examiner:
- EXMUS11: Norwegian Music History/Edvard Grieg
- MUHIST1 and MUHIST 11: Music history
- MSUTV70: Applied music theory
- FORFOR70: Music philology and source criticism
Supervisor/co-supervisor of PhD fellows in musicology:
Grieg Research Centre/ Grieg Academy, UiB:
Sjur Haga Bringeland (2019–): Bach Reception in Norway in Early 20th Century
Norwegian Academy of Music, Oslo:
Njål Ølnes (NMH): Frå små teikn til store former (2016): Analysar av det improviserte samspelet med hjelp av auditiv sonologi.
Sebastian Wemmerløv (2021–): David Monrad Johansens oppføringspraksis og teori.
Supervisor/co-supervisor of PhD fellows in artistic research:
Annabel Guaita (2004, UiB): Fartein Valens klavermusikk i nytt lys.
Daniel Henry Øvrebø (2021, UiA): Performative Arts-Based Audience Research: Investigating Audience. Experiences with High Modernist Solo Works for Flute.
PhD evaluation commissions/public defense opponent, Norwegian Academy of Music, Oslo:
Tanja Orning (2014): The polyphonic performer. A study of performance practice in music for solo cello by Feldman, Lachenmann, Hübler and Steen-Andersen.
Henrik Holm (2018): Musikkens logos. Om Wilhelm Furtwänglers interpretasjonskunst.
Bjørnar Habbestad (2022): Critical Studies of Performer Agency in Modern Flute Music
PhD trial defence opponent:
Hilde Halvorsrød (2019): Webern and the Voice.
Lars-Thomas Holm (2021): Kritisk-vitenskapelige edisjoner av Ludvig Irgens-Jensen.
Sebastian Wemmerløv (2022): David Monrad Johansens oppføringspraksis og teori.
Publications
2006
- Arnulf Christian Mattes (2006). Glemme, fortrenge eller erindre? En modernist mellom nostalgi og melankoli - Om tonalitet i Arnold Schönbergs tolvtonemusikk. (external link)
- Arnulf Christian Mattes (2006). Forrådte testamenter? Om Arnold Schönbergs forhold til den nye Wiener skolens oppførelseslære. (external link)
- Arnulf Christian Mattes (2006). Zur Konstellation von Ausdruck und Spiel in Schönbergs Phantasy for Violin with Piano Accompaniment op. 47. (external link)
2019
- Arnulf Mattes (2019). “Monumentalism” in Norway’s Music 1930–1945. (external link)
- Arnulf Mattes; Michael Custodis (2019). The Nordic Ingredient. European Nationalisms and Norwegian Music since 1905. (external link)
- Arnulf Christian Mattes; Annabel Guaita; Ragnhild Hemsing et al. (2019). Tveitt nå! Paneldebatt - Hardingtonar 2019, Norheimsund bibliotek. (external link)
- Arnulf Christian Mattes (2019). Franz Berwald: belysningar och reflektioner. (external link)
- Arnulf Christian Mattes (2019). Tonalitetskrisen i musikken. (external link)
- Michael Custodis; Arnulf Christian Mattes (2019). Celebrating the Nordic tone – fighting for national legacy: the Grieg Centenary, 1943. (external link)
- Arnulf Mattes (2019). No Escape from Politics? On Grieg’s Afterlife in Norwegian Memory Culture. (external link)
- Arnulf Christian Mattes; Michael Custodis (2019). Sorg-Tvang-Motstand. Musikk i Falstad fangeleir. (external link)
- Arnulf Mattes; Michael Custodis (2019). The “Nordic Ingredient” – Introduction. (external link)
- Marion Hestholm; Arnulf Christian Mattes (2019). NRK Spillerom: Tysk veke i P2 - tysk spesial. (external link)
- Arnulf Christian Mattes; Marita Fromreide Ramsvik (2019). Edvard Grieg ble brukt i nazistisk propaganda under andre verdenskrig. (external link)
- Arnulf Christian Mattes (2019). The Nordic Tone in Anne-Marie Ørbeck War-Time Compositions. (external link)
- Arnulf Christian Mattes (2019). Intoxicating Oscilllations - On Schoenberg and Mach. (external link)
- Marion Hestholm; Arnulf Christian Mattes (2019). NRK klassisk: Sesongåpning Bergen filharmoniske orkester med Mahlers 2. symfoni. (external link)
- Arnulf Christian Mattes (2019). Revival or Recycling? Introductory Reflections. (external link)
- Hilde Kristin Kvalvaag; Arnulf Christian Mattes (2019). Music in times of crisis. (external link)
2017
- Arnulf Christian Mattes (2017). Fartein Valen: Universalisten fra Valevåg - Seminar og paneldebatt. (external link)
- Arnulf Christian Mattes (2017). Norwegian Monumentalism and German Propaganda 1930-45. (external link)
- Arnulf Christian Mattes (2017). Die Gratulanten kommen - Neue Forschung zum Grieg Jubiläum 1943. (external link)
- Arnulf Christian Mattes (2017). Norsk musikkliv 1930-45: Nye funn og ny forskning. (external link)
- Margrethe Støkken Bue; Bjarte Engeset; Arnulf Christian Mattes (2017). Fartein Valens verker.. (external link)
- Arnulf Christian Mattes (2017). Inderlighet bak maktens beskyttende murer? Om Fartein Valens atonale gjennombrudd.. (external link)
- Fillip-André Baarøy; Arnulf Christian Mattes (2017). Forskere vil gjøre Fartein Valens musikk mer tilgjengelig. (external link)
- Arnulf Mattes (2017). Leder/Editorial. (external link)
- Arnulf Christian Mattes (2017). Romantic or Sentimental? On Grieg’s Historical Recordings and the Musical Text. (external link)
- Arnulf Christian Mattes (2017). Endring, ekspresjon og eksperiment – hva driver utviklingen videre hos Valen fra 1920-tallet til op. 28 og 29 seint 1930-tall?. (external link)
- Arnulf Christian Mattes (2017). Grieg, history, and politics - Commemorating Grieg in 2007-1993-1943. (external link)
2015
- Arnulf Christian Mattes (2015). Tempo and the rationalization of notation: From Beethoven to Grieg and Valen. (external link)
- Sissel Hamre Dagsland; Arnulf Christian Mattes (2015). Til Grieg-senteret med Fartein Valen. (external link)
- Arnulf Christian Mattes; Kjetil Bjørgan (2015). NRK P2 Spillerom: Fartein Valen - Norges første modernist. (external link)
- Arnulf Christian Mattes; Sigurd Sandmo (2015). Innledning. Kunst i kamp I: Signe Lund og David Monrad Johansen.. (external link)
- Arnulf Christian Mattes (2015). German Tradition and Stylistic Emancipation: On Conceptions of Form in Fartein Valen's Violin sonata Op. 3. (external link)
- Arnulf Christian Mattes (2015). Leder. (external link)
- Peter Edwards; Arnulf Christian Mattes; Astrid Kvalbein et al. (2015). Listening to the Twentieth Century. (external link)
- Arnulf Christian Mattes (2015). 'Paris 1928: En "meget interessant konsert". Om Valens møte med den andre wienerskolens framføringstradisjon'. (external link)
- Arnulf Christian Mattes (2015). Geliebt und verrissen. Zur gespaltenen Rezeption von Griegs 'Sonate for Piano Violoncel' op. 36 (1883). (external link)
- Arnulf Christian Mattes (2015). Re-Listening Stockhausen's 'Gesang der Jünglinge'. (external link)
- Arnulf Christian Mattes (2015). German Depth and Nordic Inwardness? On Fartein Valen's Musical Poetics. (external link)
- Arnulf Christian Mattes (2015). Performance as critique. (external link)
2021
- Daniel Henry Øvrebø; Robin Rolfhamre; Elin Angelo et al. (2021). Performative arts-based audience research : Investigating experiences with high modernist works for solo flute. (external link)
- Arnulf Christian Mattes; Marion Hestholm; Bettina Smith et al. (2021). Nina Grieg 175-festival KODE komponisthjem - panelsamtale 'Kvinnestemmen i musikken'. (external link)
- Diana Badi; Arnulf Christian Mattes (2021). Kunst i krise: Slik endrer kunstkonsumet seg.. (external link)
- Arnulf Christian Mattes (2021). Fartein Valen’s atonal breakthrough. (external link)
- Arnulf Christian Mattes; Marion Hestholm (2021). Whose Music History? Introduction to seminar 'Women in music history, musical heritage and gender perspectives'. (external link)
2005
2018
- Arnulf Mattes (2018). No Escape from Politics? Grieg beyond 1905. (external link)
- Maren Kvamme Hagen; Arnulf Mattes (2018). Då nazistane forsøkte å kuppe Grieg. Ein propagandafilm skulle vere krona på verket, men floppa.. (external link)
- Arnulf Christian Mattes (2018). 1907–2007: Edvard Grieg in der norwegischen Erinnerungskultur. (external link)
- Arnulf Mattes (2018). Til Grieg 175-årsdag - Innlegg til 'En time med Grieg'. (external link)
- Arnulf Christian Mattes (2018). Leder/Editorial. (external link)
- Arnulf Mattes; Michael Custodis (2018). "Die Gratulanten kommen" - Der Kampf um Griegs Erbe 1943. (external link)
- Annabel Guaita; Arnulf Christian Mattes; Einar Røttingen et al. (2018). Notelangs: Grieg - Hva nå? Paneldebatt. (external link)
- Arnulf Mattes (2018). Reviving National Heritage? Edvard Grieg in Norwegian Music Historiography/Public History. (external link)
- Arnulf Mattes (2018). Musikk i kamp - Grieg-jubileet 1943. (external link)
- Arnulf Christian Mattes (2018). Fartein Valen, Inwardness, and Goethe's Mignon Songs. (external link)
- Arnulf Christian Mattes (2018). Grieg's historical performances as musical poetry. (external link)
- Arnulf Christian Mattes; Michael Custodis (2018). Sorg - tvang - motstand. Musikk i leirene 1940–45: Fra Grini til Kirkenes. (external link)
- Arnulf Christian Mattes (2018). On the 'Un-settling' of 'Own Language'. (external link)
2010
- Arnulf Christian Mattes (2010). The task of the performer: On Adorno's Theory of reproduction. (external link)
- Arnulf Christian Mattes (2010). Arnold Schönberg's Death dance of the principles and the transformation of colours in his atonal music :. (external link)
- Arnulf Christian Mattes (2010). Revolusjon på Café Griensteidl: Om Ernst Machs betydning for den musikalske modernismen. (external link)
2016
- Arnulf Christian Mattes (2016). Gjesteforelesning: Hvor går Griegforskningen?. (external link)
- Arnulf Christian Mattes; Michael Custodis (2016). "Die Gratulanten kommen". Fighting for Edvard Grieg's Legacy 1943. (external link)
- Arnulf Christian Mattes (2016). Cosmopolitan Values in the Scores of Edvard Grieg. (external link)
- Arnulf Christian Mattes (2016). Om musikerens oppgave: Adornos framførelsesteori - fortsatt relevant?. (external link)
- Arnulf Christian Mattes (2016). Grieg Research Guide Project - An Intermediate Report. (external link)
- Arnulf Mattes (2016). The Sources of Fartein Valen's Aesthetic Theology. (external link)
- Arnulf Christian Mattes (2016). Fartein Valen og Max Reger og deres univers. Introduksjon til konserten med Valen trio. (external link)
- Arnulf Christian Mattes (2016). Observations and Speculations: On Valen's Sketches and 'Spiritual Exercises'. (external link)
- Arnulf Christian Mattes; Michael Custodis (2016). Kampen om arven etter Edvard Grieg 1943.. (external link)
- Michael Custodis; Arnulf Christian Mattes (2016). Zur Kategorie des "Nordischen" in der norwegischen Musikgeschichte 1930-45. (external link)
- Arnulf Christian Mattes (2016). Fra klisjé til motiv: Om "inderlighet" i Fartein Valens Goethe-sanger'. (external link)
- Arnulf Christian Mattes; Michael Custodis (2016). Celebrating the Nordic Tone - the Grieg Centennials 1943. (external link)
- Arnulf Christian Mattes (2016). Leder/Editorial. (external link)
- Arnulf Christian Mattes (2016). Geschichtsschreibung und nationales Kulturerbe: Zur Griegforschung in Norwegen. (external link)
- Arnulf Christian Mattes; Marthe Njåstad; Michael Custodis (2016). Grieg vart brukt i politisk dragkamp under krigen. (external link)
2014
- Arnulf Christian Mattes (2014). Konstruktive misforståelser. Om Beethoven i Valens fiolinsonate op. 3. (external link)
- Arnulf Christian Mattes (2014). Adorno, Schoenberg, Kolisch: Modernism, Performance and the Aesthetics of Resistance. (external link)
- Arnulf Christian Mattes (2014). Leder/Editorial. (external link)
- Arnulf Christian Mattes (2014). Verdenskrigen og modernismen i musikken. Fritt Ord arrangementserie 2014. (external link)
- Arnulf Christian Mattes (2014). Eimert revisted- Eimert revisité – Les débuts de la musique électronique et du Studio WDR à l'ère pré-Stockhausen. (external link)
- Arnulf Christian Mattes (2014). 'Opprørsmusikk'. Intervju med Oslo Student-TV. (external link)
2023
- Arnulf Christian Mattes (2023). Anne-Marie Ørbeck. (external link)
- Bettina Smith; Signe Bakke; Arnulf Christian Mattes (2023). Anne Marie Ørbeck - presentasjon og fremføring av sanger. (external link)
- Arnulf Christian Mattes; Marion Hestholm (2023). Grieg, Sæverud, Bull – og Anne-Marie Ørbeck - panelsamtale under Festspillene. (external link)
- Arnulf Christian Mattes; Bettina Smith; Signe Bakke (2023). Skjulte stemmer: Anne-Marie Ørbecks sanger fra 1942. (external link)
- Arnulf Christian Mattes (2023). Musical heritage now? From archive storage to collective memory. (external link)
- Zofia Paszkiewicz; Arnulf Christian Mattes; Marion Hestholm (2023). NRK P2 Studio 2 - Intervju: Anne-Marie Ørbeck som festspillkomponist. (external link)
- Arnulf Christian Mattes (2023). From archive to stage. (external link)
- Michael Custodis; Arnulf Christian Mattes (2023). Podcast 'Claiming Beethoven'. (external link)
- Arnulf Christian Mattes (2023). Beethoven reception in occupied Norway. (external link)
- Kjetil Kopren Ullebø; Arnulf Christian Mattes (2023). Hennes musikk ble første spilt i Nazi-Tyskland. Nå løftes bergenskomponisten frem under Festspillene. (external link)
- Arnulf Christian Mattes; Luisa Nardini; Jen-yen Chen (2023). Editorial - Acta Musicologica Vol. 95 No. 1. (external link)
- Bettina Smith; Signe Bakke; Arnulf Christian Mattes (2023). Vonir i Blømetid. (external link)
2022
- Arnulf Christian Mattes (2022). Migrant, Musician, Jew: The Case of István Ipolyi. (external link)
- Arnulf Christian Mattes (2022). BIT20 NORDEN #2: Sverige - konsert og samtale med komponistene. (external link)
- Arnulf Christian Mattes (2022). Harald Sæverud - Komponistens (selv-)stilisering i norsk presse. (external link)
- Arnulf Christian Mattes (2022). Performance Poetics/Musical Poetry: Grieg Playing Grieg. (external link)
- Arnulf Christian Mattes (2022). Tempo und Charakter in Beethovens Musik (Rudolf Kolisch; hrsg. von R. Busch und D. Satz, München 1992). (external link)
- Arnulf Christian Mattes (2022). Zur Theorie der Aufführung (Rudolf Kolisch; hrsg. von H.-K. Metzger und R. Riehn, München 1983). (external link)
- Arnulf Christian Mattes (2022). Heritage versus Politics. German Performance Traditions in Quisling’s Norway. (external link)
- Arnulf Christian Mattes (2022). Anne Marie Ørbeck (1911-1996) - ut og inn av historien..og inn igjen. (external link)
2009
2024
- Arnulf Christian Mattes (2024). Rising Star, Unfulfilled Ambitions? – The Case of Anne-Marie Ørbeck. (external link)
- Arnulf Christian Mattes (2024). Fighting ‘the devil behind the orchestra’: Beethoven in musical life of occupied Norway. (external link)
- Arnulf Christian Mattes; Luisa Nardini; Jen-yen Chen (2024). Editorial: “Sharpening Difference”—Academic Writing and AI. (external link)
- Sofie Skumsnes; Arnulf Christian Mattes (2024). Færre gråhåra hoder i salen. (external link)
- Arnulf Christian Mattes; Bettina Smith (2024). Rising Star, Unfulfilled Ambitions? - The Case of Anne Marie Ørbeck. (external link)
- Arnulf Christian Mattes (2024). Senter for Griegforskning - Rückblick und Ausblick. (external link)
- Arnulf Christian Mattes (2024). Festspillene i Bergen - Glemte stemmer I og II - Inger Bang Lund - Borghild Holmsen. Introduksjon og konsert. (external link)
2020
- Arnulf Christian Mattes (2020). Nordic, Female, Composer. On Anne-Marie Ørbeck’s War-Time Compositions. (external link)
- Marion Hestholm; Arnulf Christian Mattes (2020). Spillerom Søndag/NRK P2/NRK klassisk - Om Anne-Marie Ørbeck. (external link)
- Arnulf Christian Mattes (2020). Litterær lunsj med Arnulf Christian Mattes. (external link)
- Arnulf Christian Mattes (2020). The Eclipse Effects of Stardom: Edvard Grieg as a Challenge to National Musicology. (external link)
- Arnulf Christian Mattes (2020). What Else Can Grieg’s Historical Recordings Tell Us? Performance Practice as Musical Poetry. (external link)
- Adele Jakumeit; Arnulf Christian Mattes (2020). Komponistin im Fokus: Pauline Hall - WDR3 Tonart. (external link)
- Arnulf Christian Mattes (2020). Walter Niemanns Rezeption der nordischen Musik. (external link)
- Arnulf Christian Mattes (2020). Om musikalsk 'recycling': Grieg utenfor konsertsalen og som filmmusikk. (external link)
- Arnulf Christian Mattes (2020). Expressive Sites - Intimate Relationships. (external link)
2013
- Arnulf Christian Mattes (2013). ‘Keine Rührung – Erkenntnis!’ The Aesthetics of Espressivo in the ‘Performance Theories’ of Arnold Schoenberg and Rudolf Kolisch. (external link)
- Arnulf Christian Mattes (2013). Notasjon og praksis: om hva som ikke står i partituret. (external link)
- Arnulf Christian Mattes (2013). Towards Art Beyond Angst: Arnold Schoenberg's Colours - Open Forum Oslo Academy of the Arts. (external link)
- Arnulf Christian Mattes (2013). From breakthrough to consolidation: A study in Fartein Valen's stylistic development. (external link)
- Arnulf Christian Mattes; Thomas Erma Møller (2013). Noter 2.0. Om gjenopplivelsen av den norske musikkarven. (external link)
- Arnulf Christian Mattes (2013). Composer's intentions and performer's actions: On sketches and annotations in Valen's Violin sonata op. 3. (external link)
- Arnulf Christian Mattes; Markus Aust (2013). the pre-stockhausen era: wdr and the beginnings of electronic music. (external link)
- Arnulf Christian Mattes (2013). Leder/editorial. (external link)
2004
- Arnulf Christian Mattes (2004). Fantastic moments and hexachord combinatoriality in Arnold Schönberg's "Phantasy" op. 47 (1949). (external link)
- Arnulf Christian Mattes (2004). Zur Konstellation von Spiel und Ausdruck in Schönbergs "Phantasy". (external link)
- Arnulf Christian Mattes (2004). Adorno's beautiful passages - Schoenberg's moments of intensity. (external link)
2007
- Arnulf Christian Mattes (2007). On Arnold Schoenberg's Self-Reflective Expressionism. (external link)
- Arnulf Christian Mattes (2007). Reflected Colors – Reflective Forms: On the Interpretation of Arnold Schoenberg’s Late Chamber Music Works. (external link)
- Arnulf Christian Mattes (2007). Komponere med farger og toner. Om Schönbergs vei til tolvtonemusikken. (external link)
2012
- Arnulf Christian Mattes (2012). Vestens musikkhistorie. (external link)
- Arnulf Christian Mattes (2012). Performing Modernist Identities: On the Construction of ‘Wiener Espressivo’ - Keynote lecture. (external link)
- Arnulf Christian Mattes (2012). Musikkhistorie-formidling i skolen: Pedagogiske tradisjoner og metodiske utfordringer. (external link)
- Arnulf Christian Mattes (2012). Just a Matter of Good Taste? Critical Remarks on the Performance Practice of the Cadenzas to Beethoven’s Violin Concerto, Op. 61. (external link)
2011
- Arnulf Christian Mattes (2011). Radiant Moments of Remembrance: on Sound Sheets in Schoenberg's Late Chamber Works. (external link)
- Arnulf Christian Mattes (2011). Committed Musicians: On Kolisch and Leibowitz's Actualisation of Beethoven in 1964. (external link)
- Arnulf Christian Mattes; Peter Edwards (2011). Fra romantikken til elektronika: nye perspektiver på klangflatens historie. (external link)
- Arnulf Christian Mattes (2011). What is 'Wiener espressivo'? On the Formation of a Performance Style. (external link)
- Arnulf Christian Mattes (2011). From Riemann’s ‘History of Notation’ to Adorno’s ‘Theory of Reproduction’. (external link)
- Arnulf Christian Mattes (2011). An Anti-Virtuoso's Actualization of Beethoven's Violin Concerto - Rudolf Kolisch: An Example of 20th Century Artistic Research?. (external link)
- Arnulf Christian Mattes (2011). Cinematic Influence? On Arnold Schoenberg's Time Charts for the String Trio Op. 45. (external link)
2025
- Arnulf Christian Mattes; Ermis Theodorakis; Juliane Harberg (2025). Arnold Schoenberg and the Voice in “Das Buch der hängenden Gärten” - Workshop. (external link)
- Arnulf Christian Mattes; Eirik Vassenden; Ingunn Lunde (2025). Utopi, symfoni og videokunst - UiB Innsikt. (external link)
- Arnulf Christian Mattes (2025). Tracing ‘Neoclassicism’ in Norway: A Tentative Conceptual Survey. (external link)
- Arnulf Christian Mattes; Laura Ellestad (2025). Migration, identity formation, and Norwegian musical heritage in the USA - past and present. (external link)
- Arnulf Christian Mattes (2025). The Grieg digital catalogue and ‘Norwegian Musical Heritage’: Preserving legacy, facing the future. (external link)
Projects
Ongoing and finished research projects:
2024–: 'Forgotten Voices - Musical Heritage, Archives, and New National Narratives'. HUMANITIES STRATEGY FUNDING, University of Bergen.
2016–2023: 'Transforming the Nordic - Music and Politics in Norway 1930–45'. Cooperation with DEUTSCHE FORSCHUNGSGEMEINSCHAFT (DFG). Funding from GOETHE INSTITUT NORWAY. Read more here.
2017–2022: '(Un-)settling Sites and Styles: Performers in Search of New Expressive Means. Sub-project. Cooperation with Grieg Academy and NORWEGIAN ARTISTIC RESEARCH PROGRAMME. Read more here.
2016–2022: 'Grieg Research Guide' - Online bibliography and work catalogue. Digital development initiative in cooperation with Centre for Grieg Resrarch, University Library Bergen and Bergen Public Library. Funding from the NORWEGIAN NATIONAL LIBRARY. Read more here.
2021–2022: Strategic Fund KMD/UiB University of Bergen, Faculty of Arts, Music, and design (KMD) Remembering Lost Music: Jewish Cultural Life in Scandinavia Project leader in collaboration with Prof. Dániel Péter Biró (composition) at Grieg Academy, UiB Research project on Jewish Musical Heritage in Scandinavia and local Jewish musical life in Bergen. International research seminar, student workshops, concerts.
2020–2022: EEA Norway Grant. Project leader, partner project Grieg Research Centre. Project promoter: Chopin Institute, Warzawa. The project is funded through The Norwegian Research Council - EEA and Norway Grants, in cooperation with The Arts Council Norway.
2018–2019: SPIRE (Strategisk program for internasjonalt forskningssamarbeid) - Såkornsmidler Nordic music and resistance, Project leader, musicology and artistic research, student exchange project and joint international seminar, Grieg Research Centre/Grieg academy and Universität Münster, Germany.
2012–2017: NFR FRIPRO (FRIHUM) NFR-project 213807 Fartein Valen – atonal nybrottsmann og tradisjonsbærer. Investigator and project leader.
2009–2012: NFR FRIPRO (FRIHUM) Individual NFR-postdoc-grant, project 191575, Musical Expression in Transforming Cultures –Rudolf Kolisch’s Performance Practice. Project leader and principal investigator.