Conference lecture

• Jorunn Svensen Gjerden (2025). ‘Natality’ eller ‘womb abyss’? Fødselsmotivet i Kamel Daouds roman Houris (2024) lest i lyst av Hannah Arendt og Édouard Glissant. (external link)
• Jorunn Svensen Gjerden (2017). Voix, silences et colonialisme. (external link)
• Jorunn Svensen Gjerden (2012). Lévinas et le postcolonialisme. (external link)
• Jorunn Svensen Gjerden (2013). From La Vénus Hottentote ou Haine aux Françaises (1814) to Vénus noire (2010): Recurrent veils, same silences?. (external link)
• Jorunn Svensen Gjerden (2022). Brorskap og ørkenvandring: Krig, eksil og relasjoner i Albert Camus' novelle "L'Hôte". (external link)
• Jorunn Svensen Gjerden (2019). Brothers and keepers, strangers and assassins: expressions of (post)colonial exile in Kamel Daoud's Meursault, contre-enquête. (external link)
• Jorunn Svensen Gjerden (2022). Facing the Plague: Albert Camus and Judith Butler Revisited in Times of Pandemic (and War). (external link)
• Kari Jegerstedt; Zeljka Svrljuga; Jorunn Svensen Gjerden (2013). Postcolonial citizenship and the figure of woman: The case of the 'Hottentot Venus'. (external link)
• Jorunn Svensen Gjerden (2024). Tilhørighet og samhørighet i Kamel Daouds roman Houris (2024) - om 1990-tallets borgerkrig i Algerie. (external link)
• Jorunn Svensen Gjerden (2014). "The male gaze, the suffering female body and spectatorial involvement in Abdellatif Kechiche's Vénus noire and Carl Th. Dreyer's La Passion de Jeanne d'Arc". (external link)
• Jorunn Svensen Gjerden (2025). Å høre hjemme i Édouard Glissants Poétique de la Relation. (external link)
• Jorunn Svensen Gjerden (2021). The Ageing Self in Nathalie Sarraute’s Here (1995). (external link)
• Jorunn Svensen Gjerden (2023). “Rendez la terre, la terre qui n’est à personne”: Nationalism and Colonisation vs Precarious Belonging in Albert Camus’ The First Man. (external link)
• Jorunn Svensen Gjerden; Helge Vidar Holm (2018). "Exile and Nomadism in French literature". (external link)
• Jorunn Svensen Gjerden (2018). "Literary representations of exile and fatherland in colonial and postcolonial Algeria: Guy de Maupassant, Albert Camus, Kamel Daoud". (external link)

Academic book chapter

• Jorunn Svensen Gjerden (2017). Negociating Cinematic Staging of Colonial Past in the Blogosphere: Abellatif Kechiche's Vénus noire. (external link)
• Jorunn Svensen Gjerden (2014). "Emotion, Knowledge, Alterity: Aesthetic Experience in Proust". (external link)
• Jorunn Svensen Gjerden (2019). Gazes, Faces, Hands: Othering Objectification and Spectatorial Surrender in Abdellatif Kechiche’s Vénus noire and Carl Th. Dreyer’s La Passion de Jeanne d’Arc. (external link)
• Kari Jegerstedt; Zeljka Svrljuga; Jorunn Svensen Gjerden (2019). Refiguring Black Venus. Preliminary Considerations. (external link)
• Jorunn Svensen Gjerden (2010). The Reader Address as Performativity in Nathalie Sarraute's L'Usage de la parole. (external link)
• Jorunn Svensen Gjerden; Kari Jegerstedt; Zeljka Svrljuga (2016). "The Hottentot Venus is Unavailable for Comment": Questioning Representation through Aesthetic Practices. (external link)

Lecture

• Jorunn Svensen Gjerden (2012). "Etikk og litteratur hos Emmanuel Lévinas". Innledningsforedrag til paneldebatt. (external link)
• Jorunn Svensen Gjerden; Geir Uvsløkk; Kjerstin Aukrust (2023). Månedens klassiker: «Den fremmede» av Albert Camus. Tilværelsens absurditet. (external link)
• Jorunn Svensen Gjerden (2014). "De Sisyphe à la révolte : individu et communauté dans la philosophie de Camus". (external link)
• Jorunn Svensen Gjerden (2014). Individu, altérité, histoire coloniale: figurations fictives de Sara Baartman, la 'Vénus Hottentote. (external link)

Academic article

• Jorunn Svensen Gjerden (2020). Gardien du frère – fils du gardien. Frères et étrangers dans Meursault, contre-enquête de Kamel Daoud. (external link)
• Jorunn Svensen Gjerden (2019). Voix, silences et colonialisme. (external link)
• Jorunn Svensen Gjerden (2012). "Éthique et perspectives postcoloniales : sujet, altérité, langage. Emmanuel Lévinas, Aimé Césaire et Édouard Glissant". (external link)
• Jorunn Svensen Gjerden (2013). "Actes de langage dans La Princesse de Clèves". (external link)

Academic monograph

• Jorunn Svensen Gjerden (2007). Éthique et esthétique dans l'oeuvre de Nathalie Sarraute. Le paradoxe du sujet. (external link)

Book anthology

• Kari Jegerstedt; Jorunn Svensen Gjerden; Zeljka Svrljuga (2019). Exploring the Black Venus Figure in Aesthetic Practices. (external link)

Doctoral thesis (PhD)

• Jorunn Svensen Gjerden (2006). Le paradoxe du sujet. Éthique et esthétique dans l’œuvre de Nathalie Sarraute (Subjektets paradoks. Etikk og estetikk i Nathalie Sarrautes forfatterskap). (external link)

See a complete overview of publications in NVA.