BIFF Exhibition: After Virtual Reality
How are immersive narratives being reconfigured today — and what they might become?
As contemporary forms of digital narrative continue to expand, mutate, and hybridize, immersive storytelling has become a key site of experimentation across artistic, cultural, and technological domains. Immersive narratives now transcend singular media forms, platforms, or devices, unfolding across thresholds such as physical and digital environments, embodied and computational experiences, and authored and generative processes.
Immersive storytelling has often been associated with immersive media and Extended Reality (XR), encompassing Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR). However, XR itself remains an unstable and evolving category. Drawing from Milgram and Kishino’s (1994) reality–virtuality continuum, we consider “XR” an open and extensible framework for emerging, speculative, and as-yet-unsettled forms of computationally mediated reality, including spatial computing, AI-driven environments, and hybrid physical–digital spaces.
Part of the Bergen International Film Festival (external link). Final dates to be decided.