History and theory of ethnomusicology

Popular Music Studies

Turkish popular musics

Rap music and hip-hop youth culture

Music and place

Music and diaspora

Postcolonialism

Indigenous music of the Bolivian Andes

Courses in the MA program in ethnomusicology and musicology

BA course "Music in World Cultures"

BA course "Popular Music Studies"

BA course "Musikk, kultur og samfunn"

Program coordinator for MA in ethnomusicology and musicology

Vitenskapelig Kapittel/Artikkel/Konferanseartikkel

• Solomon, Thomas James (2024). Musical Competition as Community in Highland Bolivia. (ekstern lenke)
• Solomon, Thomas (2021). Made in Almanya: The Birth of Turkish Rap. (ekstern lenke)
• Solomon, Thomas (2020). Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage. (ekstern lenke)
• Solomon, Thomas (2018). Azerbaijani Rap Music and Oral Poetry Between "the Folk" and "the Popular". (ekstern lenke)
• Solomon, Thomas (2017). 'His Bird Doesn't Stand Up': Gendered Dimensions of Music Censorship in Turkey. (ekstern lenke)
• Solomon, Thomas (2015). Theorising Diaspora, Hybridity and Music. (ekstern lenke)
• Solomon, Thomas (2015). Introduction. (ekstern lenke)
• Solomon, Thomas (2014). Performing Indigeneity: Poetics and Politics of Music Festivals in Highland Bolivia. (ekstern lenke)
• Solomon, Thomas (2014). Music and Race in American Cartoons: Multimedia, Subject Position, and the Racial Imagination. (ekstern lenke)
• Solomon, Thomas (2013). Ayben: "The girl's voice in Turkish rap". (ekstern lenke)
• Solomon, Thomas (2013). The oriental body on the European stage: producing Turkish cultural identity on the margins of Europe. (ekstern lenke)
• Solomon, Thomas (2012). Where is the Postcolonial in Ethnomusicology?. (ekstern lenke)
• Solomon, Thomas (2011). Hardcore Muslims: Islamic Themes in Turkish Rap between Diaspora and Homeland. (ekstern lenke)
• Solomon, Thomas (2011). Introduction. (ekstern lenke)
• Solomon, Thomas (2011). Whose Diaspora? Hybrid Identities in "Turkish Rap" in Germany. (ekstern lenke)
• Solomon, Thomas (2009). "Türkçe Rapin Kız Sesi": Ayben'in Müziğinde Toplumsal Cinsiyet ve Vokal Nitelik. (ekstern lenke)
• Solomon, Thomas (2008). 'Bu Vatan Bizim' ['This Land is Ours']: Nationalist Discourse in Turkish Rap Music. (ekstern lenke)
• Solomon, Thomas (2008). Diverse Diasporas: Multiple identities in 'Turkish Rap' in Germany. (ekstern lenke)
• Solomon, Thomas James (2007). Articulating the Historical Moment: Turkey, Europe, and Eurovision 2003. (ekstern lenke)
• Solomon, Thomas James (2006). Dueling landscapes: Singing places and identities in highland Bolivia. (ekstern lenke)

Vitenskapelig foredrag

• Solomon, Thomas (2022). Music and Displacement: Making Sense of a Terminological "Mess". (ekstern lenke)
• Solomon, Thomas (2022). Postcolonialism and Music Studies: Issues, Challenges, Prospects . (ekstern lenke)
• Solomon, Thomas (2019). Music and the body: From cognition to performance. (ekstern lenke)
• Solomon, Thomas (2019). The musical aestheticization of exile: Zaza (Kurdish-Alevi) musicians between Turkey and Germany. (ekstern lenke)
• Solomon, Thomas (2019). Reflections on music and exile: Experience, aesthetics, and the present-absence. (ekstern lenke)
• Solomon, Thomas (2018). Reflections on music and exile. (ekstern lenke)
• Solomon, Thomas (2018). Postcolonial Discourse and Musical Performance: Mimicry and Ambivalence in the Bolivian Andes . (ekstern lenke)
• Solomon, Thomas (2018). Reflections on music and exile: Experience, aesthetics, and the present-absence. (ekstern lenke)
• Solomon, Thomas (2018). The Play of Colors: Staging Multiculturalism in Norway . (ekstern lenke)
• Solomon, Thomas (2017). The Land of Our Origin: Music and History in the Norway–Azerbaijan Connection. (ekstern lenke)
• Solomon, Thomas (2017). Reflections on music and exile: Experience, aesthetics, and the present-absence . (ekstern lenke)
• Solomon, Thomas (2017). Postcolonialism and ethnomusicology: Issues, challenges, and prospects. (ekstern lenke)
• Solomon, Thomas (2017). Transculturality, Hybridity and Music: From Aesthetics to Politics and Back Again. (ekstern lenke)
• Solomon, Thomas (2017). Who are the Laz? Music and cultural identity on the Turkish Black Sea coast. (ekstern lenke)
• Solomon, Thomas (2017). Voices from the margins: Minorities and musical activism in Turkey. (ekstern lenke)
• Solomon, Thomas (2016). Who are the Laz? Ethnicity and the musical public sphere on the Turkish Black Sea coast. (ekstern lenke)
• Solomon, Thomas (2016). The musical aestheticization of exile: Zaza (Kurdish-Alevi) musicians between Turkey and Germany. (ekstern lenke)
• Solomon, Thomas (2016). The play of colors: Staging multiculturalism in Norway. (ekstern lenke)
• Solomon, Thomas (2016). "The land of our origin": Music, time and space in the Norway-Azerbaijan connection. (ekstern lenke)
• Solomon, Thomas (2016). The play of colors: Staging multiculturalism in Norway. (ekstern lenke)
• Solomon, Thomas (2015). On playing badly: Non-outstanding performers and the construction of ethnomusicological knowledge. (ekstern lenke)
• Solomon, Thomas (2015). The play of colors: Staging multiculturalism in Norway. (ekstern lenke)
• Solomon, Thomas (2015). Music and race in American cartoons: Multimedia, subject position, and the racial imagination. (ekstern lenke)
• Solomon, Thomas (2015). The play of colors: Staging multiculturalism in Norway. (ekstern lenke)
• Solomon, Thomas (2014). Music in the Norway-Azerbaijan Connection: Distant Neighbors, Imagined Pasts. (ekstern lenke)
• Solomon, Thomas (2014). Music and Race in American Cartoons. (ekstern lenke)
• Solomon, Thomas (2014). The play of colors: Staging multiculturalism in Norway. (ekstern lenke)
• Solomon, Thomas (2014). Music and ritual: Ethnomusicological perspectives. (ekstern lenke)
• Solomon, Thomas (2014). Reflections on music and exile. (ekstern lenke)
• Solomon, Thomas (2014). Theorizing music and diaspora. (ekstern lenke)
• Solomon, Thomas (2014). The girl's voice in Turkish rap: Gender and vocality in the music of Ayben [invited keynote speech]. (ekstern lenke)
• Solomon, Thomas (2013). "His Bird Doesn't Stand Up": Gendered Dimensions of Music Censorship in Turkey. (ekstern lenke)
• Solomon, Thomas (2013). Music and Race in American Cartoons. (ekstern lenke)
• Solomon, Thomas (2013). Dancing the Landscape: Music and Movement in a Highland Bolivia Pilgrimage. (ekstern lenke)
• Solomon, Thomas (2013). “Listening to Istanbul”: Imagining Place in Turkish Rap Music. (ekstern lenke)
• Solomon, Thomas (2012). Music and identity: Text, performance, embodiment. (ekstern lenke)
• Solomon, Thomas (2012). Azeri rap music and oral poetry between tradition and modernity. (ekstern lenke)
• Solomon, Thomas (2012). Competition, performance interaction and society in Highland Bolivia. (ekstern lenke)
• Solomon, Thomas (2012). "The girl's voice in Turkish rap": Gender and vocality in the music of Ayben. [Invited keynote speech.]. (ekstern lenke)
• Solomon, Thomas (2012). Self-censorship as critique: The case of Turkish rapper Sagopa Kajmer. (ekstern lenke)
• Solomon, Thomas (2012). Reflections on music and exile. (ekstern lenke)
• Solomon, Thomas (2012). Ethnic and racial stereotypes in American cartoons. (ekstern lenke)
• Solomon, Thomas (2011). “His Bird Doesn't Stand Up": Censoring the Female Rapping Voice in Turkey. (ekstern lenke)
• Solomon, Thomas (2011). “The Girl’s Voice in Turkish Rap”: Vocality and the Patriarchal Bargain in the Life and Music of Ayben. (ekstern lenke)
• Solomon, Thomas (2011). Performing indigeneity: Aesthetics and politics of folkloric festivals in highland Bolivia. (ekstern lenke)
• Solomon, Thomas (2011). When media fail. (ekstern lenke)
• Solomon, Thomas (2011). Theorizing music and diaspora. (ekstern lenke)
• Solomon, Thomas (2011). "His bird doesn't stand up": Censorship of the female rapping voice in Turkey. (ekstern lenke)
• Solomon, Thomas (2010). Turkish hip-hop in motion. (ekstern lenke)
• Solomon, Thomas (2010). "The girl's voice in Turkish rap": Gender and subjectivity in the life and music of Ayben. (ekstern lenke)
• Solomon, Thomas (2010). On playing badly and the limits of musical knowledge. (ekstern lenke)
• Solomon, Thomas (2010). "The girl's voice in Turkish rap": Gender, vocality and subjectivity in the life and music of Ayben. (ekstern lenke)
• Solomon, Thomas (2009). Berlin-Frankfurt-Istanbul: Turkish Hip-Hop in Motion. (ekstern lenke)
• Solomon, Thomas (2009). The Oriental Body on the European Stage: Producing Turkish Cultural Identity on the Margins of Europe. (ekstern lenke)
• Solomon, Thomas (2009). "The girl's voice in Turkish rap": Gender and vocality in the music of Ayben. (ekstern lenke)
• Solomon, Thomas (2009). Performing indigeneity: Aesthetics and politics of folkloric festivals in highland Bolivia. (ekstern lenke)
• Solomon, Thomas (2009). Where is the postcolonial in ethnomusicology?. (ekstern lenke)
• Solomon, Thomas (2009). Ethnomusicological Perspectives on Improvisation. (ekstern lenke)
• Solomon, Thomas (2009). Hardcore Muslims: Islamic Themes in Turkish Rap between Diaspora and Homeland. (ekstern lenke)
• Solomon, Thomas (2009). Berlin-Frankfurt-Istanbul: Turkish Hip-Hop in Motion. (ekstern lenke)
• Solomon, Thomas (2008). Hardcore Muslims: Islamic themes in Turkish rap between diaspora and homeland. (ekstern lenke)
• Solomon, Thomas (2008). Who are the Laz? Music and cultural Identity on the Turkish Black Sea Coast. (ekstern lenke)
• Solomon, Thomas (2008). "The girl's voice in Turkish rap": Gender, poetics & difference. (ekstern lenke)
• Solomon, Thomas James (2007). Every way that I can? Turkey and the Eurovision Song Contest. (ekstern lenke)
• Solomon, Thomas James (2007). Hardcore Muslims: Islamic themes in Turkish rap in diaspora and in the homeland. (ekstern lenke)
• Solomon, Thomas James (2007). Whose diaspora? Hybrid identities in "Turkish Rap" in Germany. (ekstern lenke)
• Solomon, Thomas James (2007). Whose diaspora? Lessons from "Turkish Rap" in Germany. (ekstern lenke)
• Solomon, Thomas James (2007). Whose diaspora? Hybrid identities in "Turkish Rap" in Germany. (ekstern lenke)
• Solomon, Thomas James (2007). Diverse diasporas: Multiple identities in "Turkish Rap" in Germany. (ekstern lenke)
• Solomon, Thomas James (2006). Berlin-Frankfurt-Istanbul: Local, trans-local, and global imaginaries in Turkish hip-hop. (ekstern lenke)
• Solomon, Thomas James (2006). Transformations of Turkish hip-hop nationalism, from diaspora to the homeland. (ekstern lenke)
• Solomon, Thomas James (2006). Whose hybridity? Whose diaspora? Agency and identity in transnational musics. (ekstern lenke)

Anmeldelse

• Solomon, Thomas (2019). Review of The Oxford Handbook of Popular Music in the Nordic Countries, edited by Fabian Holt and Antti-Ville Kärjä. (ekstern lenke)
• Solomon, Thomas (2019). Review of War, Exile and the Music of Afghanistan: The Ethnographer's Tale, by John Baily. (ekstern lenke)
• Solomon, Thomas (2017). Review of "The African Imagination in Music" by Kofi Agawu.. (ekstern lenke)
• Solomon, Thomas (2015). Review of "Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru," by Joshua Tucker. (ekstern lenke)
• Solomon, Thomas (2015). Review of Philip V. Bohlman (ed.), The Cambridge History of World Music.. (ekstern lenke)
• Solomon, Thomas (2014). Review of Creating Global Music in Turkey, by Koray Değirmenci. (ekstern lenke)
• Solomon, Thomas (2013). Review of Turkish Metal: Music, Meaning, and Morality in a Muslim Society, by Pierre Hecker. (ekstern lenke)
• Solomon, Thomas (2012). Review of "The Republic of Love: Cultural Intimacy in Turkish Popular Music" by Martin Stokes. (ekstern lenke)
• Solomon, Thomas (2012). Review of "Musicological Identities: Essays in Honor of Susan McClary," edited by Baur, Knapp and Warwick. Aldershot: Ashgate, 2008. 264 pp. ISBN: 9780754663027. (ekstern lenke)
• Solomon, Thomas (2012). Review of "Youth, Music and Creative Cultures: Playing for Life" by Geraldine Bloustien and Margaret Peters. (ekstern lenke)
• Solomon, Thomas (2012). Review of "Opera Indigene: Re/presenting First Nations and Indigenous Cultures," edited by Pamela Karantonis and Dylan Robinson. (ekstern lenke)
• Solomon, Thomas (2012). Review of "Songs from the Thrice-Blooded Land: Ritual Music of the Toraja (Sulawesi, Indonesia)" by Dana Rappoport. (ekstern lenke)
• Solomon, Thomas (2011). Review of "Sailing on the Sea of Love: The Music of the Bauls of Bengal," by Charles Capwell. (ekstern lenke)
• Solomon, Thomas (2009). Among the Jasmine Trees: Music and Modernity in Contemporary Syria, by Jonathan Holt Shannon. (ekstern lenke)
• Solomon, Thomas (2008). Music and the Poetics of Production in The Bolivian Andes, by Henry Stobart. (ekstern lenke)

Vitenskapelig oversiktsartikkel/review

• Solomon, Thomas (2018). Review of Digital tradition: arrangement and labor in Istanbul's recording studio culture, by Eliot Bates. (ekstern lenke)

Vitenskapelig artikkel

• Solomon, Thomas (2017). Who are the Laz? Cultural identity and the musical public sphere on the Turkish Black Sea coast. (ekstern lenke)
• Solomon, Thomas (2016). "The land of our origin": Music and history in the Norway-Azerbaijan Connection. (ekstern lenke)
• Solomon, Thomas (2016). The Play of Colors: Staging Multiculturalism in Norway. (ekstern lenke)
• Solomon, Thomas (2015). Self-censorship as Critique: The Case of Turkish Rapper Sagopa Kajmer. (ekstern lenke)
• Solomon, Thomas (2015). Theorizing diaspora and music. (ekstern lenke)
• Solomon, Thomas (2012). Theory and Method in Popular Music Analysis: Text and Meaning. (ekstern lenke)
• Solomon, Thomas (2011). "Türkçe Rapın Kız Sesi": Ayben'in Müziğinde Toplumsal Cinsiyet ve Vokal Nitelik. (ekstern lenke)
• Solomon, Thomas (2009). Berlin-Frankfurt-Istanbul: Turkish Hip-Hop in Motion. (ekstern lenke)
• Solomon, Thomas (2008). Music as Culture? Reflections on an Ethnomusicological Moment. (ekstern lenke)
• Solomon, Thomas James (2006). Hardcore Muslims: Islamic themes in Turkish rap in diaspora and in the homeland. (ekstern lenke)
• Solomon, Thomas James (2005). 'Living underground is tough': authenticity and locality in the hip-hop community in Istanbul, Turkey. (ekstern lenke)
• Solomon, Thomas James (2005). "Listening to Istanbul": Imagining Place in Turkish Rap Music. (ekstern lenke)
• Solomon, Thomas James (2004). Musikalske konstruktioner af sted og identitet i Bolivias højland. (ekstern lenke)
• Solomon, Thomas James (2000). Dueling landscapes: Singing places and identities in highland Bolivia. (ekstern lenke)
• Solomon, Thomas James (1994). Coplas de Todos Santos in Cochabamba: Language, music, and performance in Bolivian Quechua song dueling. (ekstern lenke)

Short communication

• Solomon, Thomas (2016). Conference report: XXXII European Seminar in Ethnomusicology. (ekstern lenke)
• Solomon, Thomas (2014). Conference report: 8th International Symposium of the ICTM Study Group on Music and Minorities, 19-23 July, 2014, Osaka, Japan. (ekstern lenke)
• Solomon, Thomas (2013). Conference report: 29th meeting of the European Seminar in Ethnomusicology (ESEM), 4-8 September 2013. (ekstern lenke)
• Solomon, Thomas (2012). Conference report: Seventh Meeting of the ICTM Study Group Music and Minorities, 7–12 August 2012, Zefat, Israel. (ekstern lenke)

Vitenskapelig antologi/Konferanseserie

• Solomon, Thomas (2015). African Musics in Context: Institutions, Culture, Identity. (ekstern lenke)
• Nannyonga-Tamusuza, Sylvia A.; Solomon, Thomas (2012). Ethnomusicology in East Africa: Perspectives from Uganda and Beyond. (ekstern lenke)
• Solomon, Thomas (2011). Music and Identity in Norway and Beyond. Essays Commemorating Edvard Grieg the Humanist. (ekstern lenke)

Innledning

• Solomon, Thomas; Nannyonga-Tamusuza, Sylvia A. (2012). Introduction. (ekstern lenke)

Leksikonartikkel

• Solomon, Thomas James (2006). Quechua. (ekstern lenke)

Se en full oversikt over publikasjoner i Cristin

Books edited: 

2011. Music and Identity in Norway and Beyond: Essays Commemorating Edvard Grieg the Humanist. Bergen: Fagbokforlaget.

2012. (co-edited with Sylvia Nannyonga-Tamusuza). Ethnomusicology in East Africa: Perspectives from Uganda and Beyond. Kampala: Fountain Publishers. 

2015. African Musics in Context: Institutions, Culture, Identity. Kampala: Fountain Publishers. 

Journal articles and book chapters (reverse chronological order):

2021. "Made in Almanya: The Birth of Turkish Rap." In Made in Germany: Studies in Popular Music, ed. Oliver Seibt, Martin Ringsmut, and David-Emil Wickstršm, 111-121. New York: Routledge. 

2020. "Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage." In Cultural Mapping and Musical Diversity, ed. Britta Sweers and Sarah M. Ross, 123-144. Sheffield: Equinox. 

2018. "Azerbaijani Rap Music and Oral Poetry Between 'the Folk' and 'the Popular.'" In Turkic Soundscapes: From Shamanic Voices to Hip-Hop, ed. Razia Sultanova and Megan Rancier, 77-99. London: Routledge. 

2017. "'His Bird Doesn't Stand Up': Gendered Dimensions of Music Censorship in Turkey." In Researching Music Censorship, ed. Annemette Kirkegaard, Helmi Järviluoma, Jan Sverre Knudsen and Jonas Otterbeck, 138-159. Newcastle: Cambridge Scholars Publishing. 

2017. "Who Are the Laz? Cultural Identity and the Musical Public Sphere on the Turkish Black Sea Coast." The World of Music (new series) 6(2):83-113. 

2016. "'The Land of our Origin': Music and History in the Norway-Azerbaijan Connection." Yearbook for Traditional Music 48:115-135. (Link will only work from computers inside the network of an institution that subscribes to JSTOR.) 

2016. "The Play of Colors: Staging Multiculturalism in Norway." Danish Musicology Online, Special Edition - 17th Nordic Musicological Congress, pp. 187-201.

2015. "Theorizing Diaspora and Music." Urban People 17(2):201-219.

2015. "Self-censorship as Critique: The Case of Turkish Rapper Sagopa Kajmer." Danish Musicology Online, special issue "Researching Music Censorship," pp. 37-53.

2015. "Theorising Diaspora, Hybridity and Music." In African Musics in Context: Institutions, Culture, Identity, ed. Thomas Solomon, 319-360. Kampala: Fountain Publishers.

2014. "Music and Race in American Cartoons: Multimedia, Subject Position, and the Racial Imagination." In Music and Minorities from Around the World: Research, Documentation and Interdisciplinary Study, ed. Ursula Hemetek, Essica Marks and Adelaida Reyes, 142-166. Newcastle: Cambridge Scholars Publishing.

2014. "Performing Indigeneity: Poetics and Politics of Music Festivals in Highland Bolivia." In Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance, ed. Donna A. Buchanan, 143-163. Farnham: Ashgate. 

2013. "The Oriental Body on the European Stage: Producing Turkish Cultural Identity on the Margins of Europe." In Empire of Song: Europe and Nation in the Eurovision Song Contest, ed. Dafni Tragaki, 173-201. Lanham: Scarecrow Press. 

2013. "Ayben: 'The Girl's Voice in Turkish Rap.'" In Women Singers in Global Contexts: Music, Biography, and Identity, ed. Ruth Hellier, 73-91. Urbana: University of Illinois Press. 

2012. "Theory and Method in Popular Music Analysis: Text and Meaning." Studia Musicologica Norvegica 38:86-108. 

2012. "Where is the Postcolonial in Ethnomusicology?" In Ethnomusicology in East Africa: Perspectives from Uganda and Beyond, ed. Sylvia Nannyonga-Tamusuza and Thomas Solomon, 216-251. Kampala: Fountain Publishers. 

2011."Whose Diaspora?: Hybrid Identities in 'Turkish Rap' in Germany." In Music and Identity in Norway and Beyond: Essays Commemorating Edvard Grieg the Humanist, ed. Thomas Solomon, 253-267. Bergen: Fagbokforlaget. 

2011. "Hardcore Muslims: Islamic Themes in Turkish Rap between Diaspora and Homeland." In Muslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World, ed. Karin van Nieuwkerk, 27-54. Austin: University of Texas Press. [Revised version of 2006 article below.]

2010. "The Local and the Global in Turkish Rap Music: A View from Istanbul." Porte Akademik 1(1):242-252.

2009. "Berlin-Frankfurt-Istanbul: Turkish Hip-Hop in Motion." European Journal of Cultural Studies 12(3):305-327. 

2008. "Music as Culture? Reflections on an Ethnomusicological Moment." Studia Musicologica Norvegica 34:68-90.

2008. "Diverse Diasporas: Multiple identities in 'Turkish Rap' in Germany." In Music from Turkey in the Diaspora, ed. Ursula Hemetek and Hande Sağlam, 77-88. Vienna: Institut für Volksmusikforschung und Ethnomusikologie.

2008. "'Bu Vatan Bizim' ['This Land is Ours']: Nationalist Discourse in Turkish Rap Music." In Freedom and Prejudice: Approaches to Media and Culture, ed. Süheyla Kırca Schroeder and LuEtt Hanson, 204-222. Istanbul: Bahçeşehir University Press.

2007. "Articulating the Historical Moment: Turkey, Europe, and Eurovision 2003." In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest,ed. Ivan Raykoff and Robert Tobin, 135-145. Aldershot: Ashgate.

2006. "Hardcore Muslims: Islamic Themes in Turkish Rap in Diaspora and in the Homeland." Yearbook for Traditional Music 38:59-78.

2006. "Quechua." In The Greenwood Encyclopedia of World Folklore and Folklife. Volume 4: North and South America, ed. William M. Clements, 208-216. Westport, CT: Greenwood Press.

2006. "Dueling Landscapes: Singing Places and Identities in Highland Bolivia." In Ethnomusicology: A Contemporary Reader, ed. Jennifer Post, 311-327. London: Routledge. [Revised version of 2000 article below.]

2005. "'Listening to Istanbul': Imagining Place in Turkish Rap Music." Studia Musicologica Norvegica 31:46-67.

2005. "'Living Underground is Tough': Authenticity and Locality in the Hip-hop Community in Istanbul, Turkey." Popular Music 24(1):1-20. University Press.

2004. "Musikalske Konstruktioner af Sted og Identitet i Bolivias Højland" ["Musical Constructions of Place and Identity in Highland Bolivia"]. Jordens Folk 39(3):48-53.

2000. "Dueling Landscapes: Singing Places and Identities in Highland Bolivia." Ethnomusicology 44(2):257-280.

1995. "Creando Etnicidad por Medio de la Música en el Norte de Potosí." Anales de la Reunión Anual de Etnología 1993, Tomo II. La Paz, Bolivia: Museo Nacional de Etnología y Folklore, pp.47-76.

1994. "Coplas de Todos Santos in Cochabamba: Language, Music, and Performance in Bolivian Quechua Song Dueling." Journal of American Folklore 107(425):378-414.

Ethnomusicology

Popular Music Studies

Critical musicology