Alinta Krauth is a new media artist and researcher who creates digitally innovative connections between machine learning, animal and intelligences, and interfaces. Her work often looks at topics related to animals and environments, including the use of interactive devices as a response to more-than-human agency. She is proficient in a wide range of digital tools and coding languages across 2D and 3D environments, interaction, and more. She works to implement machine learning creation, and generative AI use, in practices such as digital art, digital storytelling, and immersive digital experiences. Her outcomes include award-winning innovations in the fields of digital art, digital poetics, and creative Artificial Intelligence - such as a recent prize for digital innovation from the Woollahra Digital Literature Prize in Australia, and  STARTS Prize shortlisting from Ars Electronica. Her works include commissions for OpenAI, fellowships with Leonardo ISAST, have her artworks have been seen at spaces such as large screens in Times Square for ZAZ10st Gallery NY (USA), The MCA (Australia), Science Gallery Detroit (USA), The Glucksman Gallery (Ireland), HOTA (Australia), GentleMonster (South Korea), Art Laboratory Berlin (Germany), and more. See more at www.alintakrauth.com

RECENT EXTERNAL ADMINISTRATION:

• Leonardo LASER Talk host, organizer, and co-founder of LASER Bergen: running a series of six lecture presentations involving 15 presenters by artists and scientists in Bergen and online. 
• Special Issue Editor for World Futures Review journal, SAGE Journals.
• Organizer and presenter for Electronic Literature Organization Awards for 2024, 2025, 2026. 
• International Program Committee (IPC) for Leonardo Imagination Fellows 2025.
• International Program Committee (IPC) for the International Symposium on Electronic/Emerging Art (ISEA2025). 
• Deciding Jury for International Digital Media & Arts Association 2023 & 2024.
• Continuing peer-reviewer for Interconnections: Journal of Posthumanism.
• Peer-reviewer for NeurlRIPS2024 (Neural Information Processing Systems) conference.
• Peer-reviewer for Leonardo Journal.
• Peer-reviewer for ACUADS conference published papers.
• Peer-reviewer for 4th International Workshop on Vocal Interactivity in-and-between Humans, Animals and Robots.

• Peer-reviewer for IEEE VISAP2024 'Diverse Data' conference.

   

• SELECTED INVITED PUBLIC ARTIST TALKS & LECTURES:
• 2026. 'Intimate Atmospheres: Technologies and methods for engaging artistic practices in microclimate science​'. Leonardo LASER Talks: LASER Bergen, Norway.
• 2026. 'Unfocused AI: Shotgun Approaches to Creative Practice' DAS|LAB, DIMAS, University of Regensburg, Germany.
• 2025. 'Touching across Umwelten: Physical computing for multispecies sensory experiences' artist talk for Winchester School of Art, University of Southampton, United Kingdom.
• 2024. ‘Mapping Futures: Sculpting Narratives of Culture, Ecology, and Digital Aesthetics’ Leonardo LASER Talks: LASER Tempe, USA.
• 2024. 'Interspecies Translation Poetics' Digital Media Aesthetics talks, Center for Digital Narrative, Bergen.
• 2024. ‘The Imagination Fellowship’, artist talk for Leonardo Journal Network, Arizona State University. 
• 2023. ‘Multispecies Digital Cultures’, public lecture for Digital Culture Research Group, University of Bergen, Norway.
• 2022-2023. ‘Narratives of Existential Risk’ and ‘Serious Games as Art’, talks for regional touring workshops, collaboration with MOD. Museum and University of South Australia.
• 2022. ‘Risky Methodologies’, guest lecture for School of Design, Queensland University of Technology, Australia.
• 2022. ‘Electronic Art and Future Creative Industries Pathways’, talk and workshop, Rockhampton State High School, Australia, in association with Flying Arts Alliance and The Smith Foundation. 
• 2022. ‘Electronic Art and Future Creative Industries Pathways’, talk and workshop, Maroochydore State High School, Australia, in association with Flying Arts Alliance and The Smith Foundation. 
• 2022. ‘Hidden in the Trees: Digital Art in the Environment with Alinta Krauth’ Queensland Museum, World Science Festival Brisbane/Curiocity Festival, Brisbane, Australia. 
• 2022. ‘Emerging Tech Panel and Showcase’, QUT Global Innovation Challenge, Brisbane & Online, Australia.
• 2022. ‘Machine Learning and Bat Chatter’, Leonardo LASER Talks, Online & Institute of Modern Art, Brisbane, Australia.
• 2022. ‘Career Spotlight: Alinta Krauth’, Introduction to XR Workshop, Queensland University of Technology, Australia.
• 2021.‘Walk and Talk’, Field Trip Symposium, The University of the Sunshine Coast, Australia. 
• 2021. ‘The Future of Digital Art: AI, Machine Learning, and Interaction’, Q’n’A at Digitrek21, hosted by HOTA Gold Coast Gallery.
• 2021. ‘Risky Methodologies’, guest lecture for School of Design, Queensland University of Technology, Australia.
• 2020. ‘Transmedia Storytelling: MR/AR/VR’, guest lecture for School of Design, Queensland University of Technology, Australia.
• 2019. ‘Mobile and Located Media for Nocturnal Wildernesses’, public lecture, Queensland University of Technology, Australia.
• 2018. ‘An Introduction to Evaluating Digital & New Media Art’, lecture for public and arts council representatives, Townsville Stadium, Townsville, Australia. Supported by Flying Arts. 
• 2018. ‘Landscape Engagements with Bio-actors’, Embodied Encounters: Digital Cartographies, Cuirt International Festival of Literature 2018, Nun’s Island Theatre, Galway, Ireland. 
• 2018. ‘Wondrous Wizardry and a Workshop on Interactive Scholarship’ – co-given with Jason Nelson, public lecture/artist’s talk for National University of Ireland staff, students and postgraduates, Galway, Ireland. 
• 2018. ‘Engagements Across Hemispheres’ public lecture/artist’s talk for National University of Ireland staff, students and postgraduates, Galway, Ireland. 
• 2017. ‘Digital Literature and Art: Interface as Creative Device’ panelist and speaker at Cuirt International Festival of Literature 2017, Galway Art Centre, Galway, Ireland. 
• 2017. ‘The works of Alinta Krauth – narrative and environmental art’, public lecture, National University of Ireland, Galway, Ireland. 
• 2017. ‘Under-Mine: interactive digital SciArt’ public artist’s talk and tour at Art Laboratory Berlin as part of Under-Mine solo exhibition. 
• 2017. ‘Engaging exhibitions in public spaces’ for Turn On Literature: Using libraries to bring new audiences to digital literature, Bergen Public Library, Norway. Co-funded by the Creative Europe Programme of the European Union. 
• 2017. ‘Engaging Exhibitions in SciArt and BioArt’, lecture for masters and PhD students, NTNU (Norwegian University of Science and Technology), Trondheim, Norway. 
• 2016, ‘Projection Mapping as New-Wave Experimental Literature’, Ha!wangarda Festival, Kracow, Poland.
• 2016. ‘Lights, Environments, and Ecologies for Digital, Tech & Science Art’, public talk, Bergen Public Library, Bergen, Norway. 
• 2016.‘Creativity in Projection Mapping and Interactive Holographics’, public talk, University of Bergen, Bergen, Norway. 
• 2016. ‘Experiences as an artist funded by the Regional Arts Development Fund’, The Centre, Scenic Rim Council Public Art Gallery, Australia. (Plus solo projection event of 5 works showing for one night). 
• 2016. ‘Environmental Art as Activism and the work of Judith Wright’, artist’s talk and panellist, Five Senses Festival, Zamia Theatre, Australia. 
• 2016. ‘Tree:Mails’, live talk on The Breakfast Show, ABC Radio, Australia, aired Friday 9^th June.
• 2015. ‘Games as Art’, live talk on 4ZZZ Radio, Australia, aired Wednesday 16^th August.
• 2015. ‘Show and Tell: Apps and Experiments’, Live digital presentation at Digital Writer’s Festival, Melbourne.
• 2015. ‘Amazing artists of the Scenic Rim’, The Great South East television show, Channel 7, aired Sunday 4^th May. 
• 2014. ‘Using new media in community organisations’, guest lecture and workshop, QLD Institute of TAFE, Gold Coast Campus, Australia.
• 2010, ‘Uncolours’ novella reading, The Fringe Festival, Brisbane, Australia.
• 2007, ‘Balloon – Festschrift’ short story reading, Josephine Ulrick Awards, Gold Coast Arts Centre.
• 2006, ‘Red Sequins’ short story reading, Brisbane Writer’s Festival, Australia.

Alinta has been a tertiary educator since 2010, specialising in digital humanities and digital fine arts. 

• Special Issue Editor. Weh, L., Krauth, A. & Wist, A. (Forthcoming 2027). World Futures Review Journal - Special issue: Environmental Futures: Posthuman Aesthetics, Sensory Art and The Speculative.
• Journal Article. Krauth, A. (Forthcoming 2026). ‘Interspecies Translation Technologies: Designing machine learning interfaces referencing simple to poetically complex semiotic frameworks’. Leonardo Journal. (The top ranked Q1 journal for technology/art/science studies.)
• Creative Journal Article. Krauth, A. (Forthcoming 2026). 'The Songbird Speaks'. The Journal of Interactive Narrative. 
• Journal Article. Krauth, A. (2026a). 'Artificial Extinction Archives: machine learning for extinction mourning.' The Open Library of Humanities Journal. Special Issue: Contemporary perspectives on AI and Narrative. DOI: https://doi.org/10.16995/olh.28709.
• Journal Article. Krauth, A. (2026b). ‘Imagining More-than-human Futures through Contemporary Arts Practices’, World Futures Review Journal. 0(0). DOI: 10.1177/19467567261441551. 
• Editorial Article. Weh, L., Wist, A., Carrelero, P., Krauth, A., Milkoreit, M., Kok, K., Wiggin, B. (2026c). 'Environmental Futures – Advancing Mutual Human-Nature Relationships.' World Futures Review Journal. 0(1). DOI: 10.1177/19467567261457712. 
• Special Issue Editor. Weh, L., Wist, A., & Krauth, A. (2026). World Futures Review Journal - Special issue: Environmental Futures: Media, Literature, and Narrative Approaches.
• Book Chapter. Krauth, A. (2026d). 'Creative Processes of Working with Artificially Intelligent Models' in Yolanda de Gregorio Robledo & Maria Isabel Morales Sanchez, Coded Verses: The Poetry Created with AI. UCA: Spain. pp. 119-124. 
• Journal Article. Krauth, A. & Nelson, J. (2025a). 'Reading Data Readings: Posthuman Poetry Authorship'. Biodiversity Information Science and Standard (BISS). DOI: 10.3897/biss.9.175400
• Journal Article. Krauth, A. (2025b). ‘Digital Zoopoetics’. MATLIT: Materialities of Literature Journal. DOI: https://doi.org/10.14195/2182-8830_11-1_8 
• Journal Article. Krauth, A. (2025c). ‘AI and Care for Other(ed) Animals: Art, machine learning and interspecies futures’. Leonardo Journal, and mirrored in Mandarin in Zhuangshi: Chinese Journal of Art and Design. DOI: https://doi.org/10.1162/leon_a_02674 
• Creative Journal Article. Krauth, A. (2024a). ‘When the Songbird Speaks: AI Interspecies Translation Interfaces’. The Digital Review, Issue 4. DOI: https://doi.org/10.7273/bpw7-an93 
• Journal Article. Krauth, A. (2024b). ‘More-than-human Aesthetics: Lessons from enrichment’. Pulse: The Journal of Science and Culture, Vol 10. DOI: https://doi.org/10.5281/zenodo.12600828
• Journal Article from conference paper. Krauth, A. (2024c). ‘(Re)wilding creative practices: Lessons from wildlife care’. The Australian Council of University Art and Design Schools (ACUADS) published papers, Victoria, Australia.
• Journal Article from workshop. Krauth, A & Nelson, J. (2023). ‘A(I)nimal-centred AI Jam: Design Fictions for Positive Multispecies Futures’. ACI2023 Conference Proceedings, North Carolina State University, December 2023, ACM Digital Library. DOI: https://doi.org/10.1145/3637882.3637903
• Monograph. Krauth, A. (2022). ‘More-than-human Creative Practice: Approaches to making interactive and digital art as computer-based enrichment for wild flying foxes and domesticated dogs’. PhD Thesis Monograph with Artistic Research and Practice, Queensland University of Technology. Supervisors: Prof Donna Hancox (School of Art) & Prof Jennifer Seevinck (School of Design). Examination team: Prof Svenja Kratz (University of Tasmania) & Prof Madeleine Boyd (University of Sydney). DOI: https://doi.org/10.5204/thesis.eprints.235060
• Journal Article from Conference Paper. Krauth, A. (2020a). ‘Making-with: Nonhuman animal inclusivity in an Electronic Literature practice’, ACM Digital Library,DOI: https://doi.org/10.1145/3446002.3446051
• Journal Article. Krauth, A. (2020b). ‘Locative Narrative for Sensing the More-than-human’, Electronic Book Review Journal. ISSN: 1553-1139. Link: https://electronicbookreview.com/essay/locative-texts-for-sensing-the-more-than-human/
• Book Chapter. Krauth, A. (2018a). ‘Electronic Literature’, The SAGE Encyclopedia of the Internet. Editor: Prof. Barney Warf. SAGE Journals. ISBN: 9781473926615 https://sk.sagepub.com/reference/the-sage-encyclopedia-of-the-internet-3v/i3897.xml
• Book Chapter. Krauth, A. (2018b). ‘Anonymous’, The SAGE Encyclopedia of the Internet. Editor: Prof. Barney Warf. SAGE Journals. ISBN: 9781473926615 Link: https://sk.sagepub.com/reference/the-sage-encyclopedia-of-the-internet-3v/i1030.xml
• Interactive Journal Article. Krauth, A. (2016). ‘Walking Unexpectedly’, Unlikely – Journal of Creative Arts, Is. 2. ISSN: 2205-0027.  Explanatory essay: http://unlikely.net.au/issue-2/walking-unexpectedly. The article itself: http://www.alintakrauth.com/walking/ 
• Journal Article from Conference Paper. Krauth, A. (2015). ‘Using Handmade Controllers for Interactive Projection Mapping’, MM’15 Proceedings of the 23rd ACM international conference on Multimedia, Brisbane. ISBN: 978-1-4503-3459-4. DOI: http://dx.doi.org/10.1145/2733373.2808104
• Creative Article. Krauth, A. (2014a). ‘How to hold on’, Monsters and the Monstrous Journal, 3(2), ISSN: 1756-770X.
• Creative Article. Krauth, A. (2014b). ‘Sweetest tongue has sharpest tooth’, Monster and the Monstrous Journal, 3(2), ISSN: 1756-770X.
• Creative Article. Krauth, A. (2014c). ‘Rabbit’, Monsters and the Monstrous Journal, 3(2), ISSN: 1756-770X.
• Essay. Krauth, A. (2014d). ‘Instructions as Art: Digital Writers as Modern Day Renaissance People’, Cordite Journal. http://cordite.org.au/guncotton/instructions-as-art-digital-writers/
• Creative Article. Nelson, J. & Krauth, A. (2014e). ‘Camberlands’, The New River: A journal of digital writing and art, Virginia Tech University, Virginia, USA.
• Creative Article. Krauth, A. (2014f). ‘to arrive by chance’ interactive HTML5 artwork/poetry published in Cordite Journal, 49. 
• Creative Article. Krauth, A. (2013). ‘Balloon – Festschrift’, Tincture Journal, 1(3): e-pub.
• Journal Article. Krauth, A. (2012). ‘Anonymous in Portmanteaupia’, Social Alternatives: Politics and ethics in social media, 31(2): 27-32. ISSN: 0155-0306.  Link: https://www.proquest.com/docview/1442368098/F2C0BDB6D3F74128PQ/4
• Monograph. Krauth, A. (2010). ‘The [Epi]text’. Thesis and creative project in fulfilment of Research Degree (MA equivalent), Griffith University. Examination team: Dr Lori Emerson (University of Colorado) & Dr Dale Patterson (Griffith University, School of Computational Sciences). Link: http://librarycatalogue.griffith.edu.au/record=b1754635

PAPER/CREATIVE PROJECT CONFERENCE PRESENTATIONS:

• Krauth, A. (Forthcoming) 2026a, 'Resonant Systems'. ISEA 2026, Dubai, UAE. 
• Krauth, A., Nelson, J. & Chen, Y.C. 2026b, 'Entirely Every Forever'. Narrascope conference exhibition, Albany, NY, USA.
• Krauth, A. 2026c, 'Resonant Systems'. CVPR (The IEEE/CVF Conference on Computer Vision and Pattern Recognition) exhibition 2026, Denver, USA. 
• Krauth, A. 2026d, 'Other Ways of Knowing'. Creative Practice as Research panel, CDN Equinox Symposium, Center for Digital Narrative, University of Bergen.
• Krauth, A. 2026e, 'Intimate Atmospheres: Technologies and methods for engaging artistic practices in microclimate science​'. Leonardo LASER Talks: LASER Bergen, Norway.
• Krauth, A. 2025a, 'Reading Data Readings'. Living Data 2025, Bogota, Colombia.
• Krauth, A. 2025b, 'The Songbird Speaks'. ICIDS (18th International Conference on Interactive Digital Storytelling) Conference Exhibition, November, Malta.
• Nelson, J., Krauth, A., Fotland, V., Rørlien, S. 2025c, 'Careful of This'. Electronic Literature Organization Exhibition, June, Canada.
• Krauth, A. 2024a, 'Poetic Interfaces for Interspecies Communication'. Digital Narrative and Arts Symposium, Center for Digital Narrative, University of Bergen.
• Krauth, A. 2024b, ‘AI: What do I need you for when I have wings to fly?’ ISEA 2024 (The International Symposium on Electronic Art) Brisbane, Australia.
• Krauth, A. 2024c, ‘Mapping Futures: Sculpting Narratives of Culture, Ecology, and Digital Aesthetics’ Leonardo LASER Talks: LASER Tempe, USA.
• Krauth A. 2023a, ‘Diversity in Creative AI’. NeuRIPS (Neural Information Processing Systems) 2023, Creative AI Track, New Orleans, December 2023. Poster and Video Presentation. Double blind peer-review.
• Krauth, A. 2023b, ‘More-than-human creative practices: Lessons from wildlife care’.The Australian Council of University Art and Design Schools (ACUADS) Conference 2023, Victoria, Australia, December 2023. Double blind peer-review.
• Krauth, A. 2023c, ‘Care in Futures Studies', 4S (Society for Social Studies of Science) Conference: Sea, Sky Land, Endangered Ecologies, Solidarity, 2023, Honolulu.
• Krauth A. & Nelson, J. 2023d, ‘A(I)nimal-centred AI Jam: Design Fictions for Positive Multispecies Futures’. ACI2023 Conference, North Carolina State University, December 2023. Double blind peer-review.
• Krauth, A. 2023e, ‘Poetics and Art in the Divide: Digital Poetry, Artificial Intelligence and Interspecies ‘Translation’’, Electronic Literature Organisation Conference, University of Coimbra, Portugal. Double blind peer-review.
• Krauth, A. 2023f, ‘Artistic AI for Interspecies Communication’, DEL In Between (Digitally Engaged Learning Conferences), Pennsylvania State University. 
• Krauth, A. 2023g, ‘The (m)Otherhood of Meep (the bat translator)’, Electronic Literature Organisation Conference Media Arts Exhibition, University of Coimbra, Portugal.
• Krauth, A. 2022a, ‘Care-based Methodologies for Animal-Computer Interaction’, Encountering Non-Humans: On Methodologies for the Post-Anthropocene, Muni Arts & Ministry of Culture Czech Republic, Masaryk University, 26-27 Nov. 2022, Brno, Czech Republic.
• Krauth, A. 2022b, ‘Virtual Museum & Gallery Exhibits as Digital Narratives’, Small Museums Conference 2022, Redland Museum, Australia. Supported by Museums and Galleries Queensland.
• Krauth, A. 2022c, ‘Creative Practice, Machine Learning, and Care in the Anthropocene’, More-than-human Futures Symposium 2022, Queensland University of Technology, Brisbane, Australia.
• Krauth, A. 2022d, ‘Machine Learning and Bat Chatter’, Leonardo LASER Talks, Online & Institute of Modern Art, Brisbane, Australia.
• Krauth, A. 2022e, ‘Multispecies Interactive Practices’, ANAT Spectra: Multiplicity Conference, Melbourne, Australia. Double blind peer-review.
• Krauth, A. 2021a, ‘Enrichment for Rewilding’, as part of Weber, S & Oliver, J, ‘Technology in Nature’ workshop, International Conference on Animal-Computer Interaction ACM (Association for Computing Machinery) Conference (ACI2021) Bloomington, USA.
• Krauth, A. 2021b, ‘Animal AI’, Transitioning Towards Sustainable Futures Symposium, Queensland University of Technology, Brisbane, Australia. 
• Chandler, L., Krauth, A., Davis, D., Lindsay, E., 2021c, ‘Art/Science Collaborations’, Field Trip Symposium, The University of the Sunshine Coast, Australia. 
• Krauth, A. 2020a, ‘Making-with: A framework for nonhuman animal inclusivity in an electronic literature practice’, International Conference on Animal-Computer Interaction ACM (Association for Computing Machinery) Conference (ACI2020) Milton Keynes, United Kingdom. 
• Krauth, A. 2020b, ‘Prosthetics for a Changing Climate: Hypertext Edition’, ACM Hypertext. University of Central Florida Gallery and virtual showing. July 13^th – indefinitely. (Online due to pandemic). Curators: Jason Nelson & Anastasia Salter.
• Krauth, A. 2019a, ‘Representing Fieldwork (no. I)’ in CreateWorld Conference, held at Queensland College of Art. Brisbane, Australia.
• Krauth, A. 2019b, ‘Transforming Rural Communities through Electronic Media’, Arts Ablaze Conference and Festival Kooralbyn, Australia. 
• Krauth, A. 2018a, ‘Environmental Storytellers of the Anthropocene’, Transient Topographies: Space and Interface in Digital Literature and Art, Moore Institute Conference, National University of Ireland, Galway. 
• Krauth, A. 2018b, ‘A more-than-human System II’ biofeedback relational artwork, Systems exhibition, ‘Mind the Gap’ Australasian Systematic Botany Society Conference 2018, Queensland Herbarium, Australia. 4^th – 14^th December. Curator: Melissa Fletcher.
• Krauth, A. 2018c, ‘Representing Fieldwork (no. I)’ in The Art of Science Communication exhibition at Sydney Powerhouse as part of Australian Science Communicator’s 10^th National Conference, Sydney, Australia. 11^th – 15^th November. Curator: David Harris.
• Krauth, A. 2018d, ‘Mapping Geomorphology’ e-lit projection mapping on paper Transient Topographies: Space and Interface in Digital Literature and Art, Moore Institute Conference, National University of Ireland, Galway. Curator: Anne Karhio.
• Nelson, J. & Krauth, A. 2016, ‘Entropic Texts’ Interactive e-lit co-authored with Jason Nelson. Shapeshifting Texts exhibition. Bremen, Germany. As part of International Conference on Digital Media and Textuality. 3^rd – 5^th Nov. Curator: Daniela Cortes Maduro.
• Krauth, A. 2015a, ‘Using Handmade Controllers for Projection Mapping’, ACM-MM (Association for Computing Machinery: Multimedia) Conference, Brisbane Convention Centre, Australia.
• Krauth, A. 2015b, ‘Shadows blister those who try to touch’ interactive animation and sculpture, ACM Multimedia Media Arts exhibition, Brisbane Convention Centre, Australia. 26^th – 30^th October. Curator: Stephen Viller & Ann Morrison.
• Krauth, A. 2015c, ‘if-notNow, if-then-when-else’ interactive e-lit. Exhibited at DRHA2015 (Digital Research in the Humanities and Arts) conference exhibition, Dublin, Ireland. 1^st-3^rd Sept. Curator: Christopher Pressler.
• Nelson, J. & Krauth, A. 2015d, ‘Entropic Texts’, interactive art/poetry work New Texts exhibition, ISEA2015, Vancouver, Canada. Curator: Dene Griger. Collaboration with Jason Nelson.
• Krauth, A. 2015e, ‘if-notNow, if-then-when-else’ exhibited in The End(s) of Electronic Literature Festivalexhibition. August 4-28th. Bergen, Norway. Curator: Scott Rettberg.
• Krauth, A. 2014, ‘Literary Games without Violent Reward’, Game On Symposium, Queensland University of Technology, Australia.
• Krauth, A. 2014, ‘to arrive by chance’, 45^th Poetry International Festival, Rotterdam, Netherlands. 10^th – 14^th June. Curator: Jan Baeke.

• Krauth, A. 2012, ‘Gravitational Synaesthesia in the Skrillex Crowd (Monstrous Bodies)’, POPCAANZ (Popular Culture Association of Australia and New Zealand) Conference, Brisbane, Australia.

   

• CREATIVE & ARTISTIC RESEARCH OUTCOMES:
• SOLO EXHIBITIONS:
• 2026. 'Evolving with the Walls' five projection artworks at the Bergen Museum, Norway. April 2026.
• 2026. 'The Museum of Prompt Mishaps' large-scale video screening at the Bergen Museum, Norway. April 2026.
• 2025/26. 'What we (don't) keep below', a series of climate change data digital and generative artworks in collaboration with Jason Nelson, The Cellar Gallery, University of Regensburg, Germany. December 2025 - January 2026.
• 2025. 'Resonant Systems', two video works and an interactive work commissioned by OpenAI, The Museum of Contemporary Art, Sydney. December 2025.
• 2025. 'Intimate Atmospheres', a series of ecological data digital and generative artworks in scientific collaboration with NINA Bergen (Norwegian Institute of Nature Research) and funded by SNS (Nordic Forest Research). The Center for Digital Narrative Gallery Space. November 2025.
• 2024. ‘Versos Codificados: La poesia creada con Inteligencia Artificial’, seven new artworks with collaborator Jason Nelson, University of Cadiz Library. Curated by Yolanda de Gregorio Robledo & Maria Isabel Morales Sanchez. February 22 – April 22.
• 2023. ‘What comes after the fires II’. Adelaide Festival Centre. Outdoor wrap-around building video and animation. Curated by Sarah Northcott & Charissa Davis. 1^st November – 30^th November.
• 2023, ‘The chimera process: Ultra large AI artworks’, new video works with collaborator Jason Nelson, Bergen Bibliotek, curated by Johnny Holmvåg.
• 2021. ‘Enrichment Art II’ including two live performances ‘Intra-Facing’ and ‘The Brush’s Brushes’ and experiments. Canungra Dog Park. Live media performance with human and dog inside a dog park. Supported by Scenic Rim Regional Council and The Laurie Cowled Learning Potential Fund. 
• 2021. ‘Enrichment Art I’ including the installations ‘The Quantum Enrichment Entanglers’, ‘The Bat VJ’ and experiments. Bats QLD Aviary. Live media game inside a bat aviary with bats as the main audience. Supported by Bats QLD and The Laurie Cowled Learning Potential Fund. 
• 2018. ‘The River Enfolds I’ & ‘The River Enfolds II’ Large-scale data-generated animation works on LED building-side, Adelaide Festival Centre. Curated by Artspace Gallery, Adelaide. January to June. 
• 2017. ‘Under-Mine’. Solo exhibition of interactive display, and five single-channel video artworks. Art Laboratory Berlin, Berlin, Germany. Curators: Regine Rapp and Chris De Lutz. 25^th Feb – 30th April, for CTM Festival and Transmediale Festival Vorspiel. Cited in Chhikara & Hespanhol’s ‘Rayuela: Delivering Serious Information Through Playful Interactive Installations’ ACM TEI, 2020, doi/10.1145/3374920.3375288
• 2018. ‘Relational Biofeedback: Fungi’ live sound art & media performance in Connemara National Park, Ireland. Curator: Jason Nelson. 14^th-17^th April.
• 2017. ‘Signals’. Animated projections in a forest, with artist collaborator Jason Nelson atop Mt Fløyen, Norway. Supported by Fløibanen AS. Bergen, Norway. 13^th March-25^th March. 
• 2016-17. ‘Portals’. Data-driven visuals with artist collaborator Jason Nelson for Bergen Public Library, Bergen, Norway. Between Dec 2016 and May 2017. Co-funded by the Creative Europe Program of the European Union for the Turn on Literature project.
• 2016. ‘Bindings’. Data-driven visuals with artist collaborator Jason Nelson, University of Bergen Library, Norway. Supported by University of Bergen. 9^th November – 7^th December. Bergen, Norway. Collaboration with Jason Nelson.
• 2016. ‘Bioluminescent Walking’. Projection mapping in national park solo outdoor event. Curated by The Five Senses Festival. 1^st May. Australia. 
• 2016. ‘Geonotations II’ sound art collection, Larkin Art Gallery, Australia.
• 2015, ‘Epicentre; Paracentre’ collection, Larkin Art Gallery. 1^st – 31^st May. Scenic Rim, Australia.
• 2015. ‘To live with the world, not merely on it’. Animated works as part of Paris Climate Summit, Curator: 350.org. 28^th Nov – 4^th Dec. 
• 2015. ‘Climeart’. Six interactive works in response to the Paris Climate Summit. Curator: 350.org. 
• 2015, ‘An Argument in Parallel Incompleteness’ interactive art/poetry game, The Old Museum, Jan 10th, Brisbane, Australia. Curator: Johnny Legobye.
• 2014. ‘Geonotation’ projection mapping, generative/glitch interactive sound artwork, and outdoor sound art installation, Sarabah Vineyard, May 3^rd – 5^th. 
• 2014, ‘The Roaring Borealis’ projection mapping/sculptures at The Depo, Australia.
• Commissions:
• 2025. 'Resonant Systems', two video works and an interactive work commissioned by OpenAI, The Museum of Contemporary Art, Sydney. December.
• 2025. ‘Entirely Every Forever: Augmented Reality Experience’. Queen’s Wharf Brisbane public augmented reality sculpture. Collaboration with Jason Nelson. Commissioned & acquired by Destination Brisbane Consortium.
• 2020-2025. ‘A Cottage Year’. Queen’s Wharf Brisbane public artwork. Collaboration with Jason Nelson. Commissioned & acquired by Destination Brisbane Consortium.
• 2024. ‘Heritage Facade Artworks’. Queen’s Wharf Brisbane public media artworks. Collaboration with Jason Nelson. Commissioned & acquired by Destination Brisbane Consortium.
• 2023. ‘What comes after the fires I’. I/A (InterAccess Gallery), Toronto, 360° surround animation work.
• 2023-2024. ‘Diffracted Hemispheres' Å søke seg fra mørket til lys - From shadows to beacons exhibition, travelling from Nordkappmuseet Finnmark, Galleri Espolin Lofoten, and to Bodø (gallery TBA) in 2025. Curator: Emma Gunnarson. Digital animation and AI-assisted creation.
• 2022-2023. ‘Impossible Creatures’. Science Gallery Detroit/MSU Museum. Locative work. Collaboration with Jason Nelson. Commissioned by Science Gallery Detroit/MSU Museum for the ‘1.5° Celsius’ exhibition. Curated by Mark Sullivan.
• 2022. ‘CurioCreatures’. Public locative work. CurioCity Festival/World Science Festival Brisbane. Collaboration with Jason Nelson. Commissioned/Curated by Jay Younger and The Queensland Museum.
• 2021. ‘Science of Care’ body of new works showing at, ‘Sites of Connection’ exhibition, University of the Sunshine Coast Art Gallery, August 1^st-October 31^st.. Commissioned/Curated by Megan Williams. 
• 2021. ‘Shelter in Place’, World Upsidedown, HOTA (Home of the Arts) Children’s Gallery, Gold Coast, Australia. March 2021 – October 2021. Commissioned/Curated by Sarah Lewis & Caitlin Pijpers. Interactive animation and interactive floor.
• 2021. ‘Hide & Seek Shelter’, Botanica: Contemporary Art Outdoors, Brisbane City Botanical Gardens, Australia. 10^th – 19^th May. Projected animations in the trees. Collaboration with Jason Nelson. Curated by Bella Ford.
• 2019. ‘Bioluminescent Walking II’, outdoor projection installation, Botanica: Contemporary Art Outdoors, part of Brisbane Art Design month, Brisbane City Botanical Gardens, Australia. 10^th – 19^th May. Collaboration with Jason Nelson. Curated by Bella Ford.
• 2018. ‘Insect Sense’, 4K animation. Commissioned & acquired by GentleMonster for shopping mall installation, Seoul, South Korea & Taiwan.  
• 2018. ‘Wings and Bones’, 4K animation. Commissioned & acquired by GentleMonster for shopping mall installation, Seoul, South Korea & Taiwan.  
• 2018. ‘Cities of Cloud and Wire’, SouthBank Pavilion projection activation collaborations, in conjunction with SouthBank Corporation, INTER Theatre, Megafauna Festival. Collaboration with Jason Nelson. Funded by Queensland College of Art, and Southbank Corporation. 
• 2018. Commission for initial projection artwork design, plus AV design and consultancy for Northern Gold Coast Sports Precinct. Liquid Blu architects and Gold Coast City Council, Australia.
• 2017. ‘Present Architectures’, Brisbane City Council Valley Malls projection-mapped artwork, plus projection and AV handling. Collaboration with Jason Nelson. 7^th – 24^th Dec. 
• 2017. 1 ‘Movement Modulation’. Large-scale public projection street activation. BIGSOUND Music Festival, Brisbane, Australia. September 4^th- 8^th. Curator: Janne Scott. 
• 2016-17. ‘Treemails: Scenic Rim’. The Centre, Beaudesert. Supported by RADF grant, Australia. 
• 2016. ‘The Fingers of a Warm and Careful Android’, Interactive digital literature installation commissioned for Gold Coast Libraries. Australia. A series of workshops also given. 
• 2016. ‘If the Forest Wanders’ interactive architectural projection mapping of the underside of a train bridge, Organic Data laneways activation for World Science Festival 2016 supported by Brisbane City Council, Australia. Curated by Kerry Turnbull. 
• 2016. ‘Cart-ology Apology’ holographic projection installation, commissioned for White Night Melbourne. (Nuit Blanche). Melbourne, Australia. Curated by Andrew Walsh. 
• 2016. Three permanent digital literature works for Helensvale Library and City Council permanent public projection display. Australia. Curated by Leo Clayton. 
• 2015. ‘Over-Mine’ (interactive projection mapping onto sculpture), & ‘Fracktals’ (interactive screen-based work) – Ipswich Regional Art Gallery. ‘An Argument…’ (not commissioned) also shown. 18^th Sept – 27^th Nov. Ipswich, Australia. Curated by Michael Beckmann. 
• 2015 ‘Un[tram]melled’, interactive projection mapping commission for Brisbane’s Powerhouse, 27^th May - 28^th June, Australia. Curated by Alex Winters and The Edge, Queensland State Library. 
• 2015. ‘Wind blisters those who try to run’, projection mapping Brisbane’s ‘Old Windmill’, commissioned by Engage Arts in conjunction with UR{BNE} Festival, Australia. April 16-19th. As part of the UN’s International Year of Light. Produced by Kerry Turnbull.
• 2015. ‘Colonise’ double-sided projection mapping onto sculpture commissioned for White Night Melbourne, (Nuit Blanche) Melbourne, Australia. Curated by Andrew Walsh. 
• 2014, ‘Depo’d’, projection mapping and sculpture commission for The Depo, West End, Australia.
• Selected group exhibitions:
• (Forthcoming) 2026, ‘The Museum of Prompt Mishaps’ MIX Center, Arizona State University, USA.
• 2025, ‘Ultra Large Digital Narratives’ More than Meets AI exhibition, Sonnenschein and Albright Galleries, Lake Forest, USA. Curator: David Johnston.
• 2025, ‘Ultra Large Digital Narratives’ An Eye for AI Cinema exhibition, Centre Gallery, USF Verftet, Bergen, Norway. Curator: David Johnston.
• 2024, ‘The (m)Otherhood of Meep (the bat translator)’ More than Meets AI exhibition, Galleri Rom 61, KMD Bergen, Norway. Curator: Eamon O'Kane.
• 2023-24, A retrospective of a range of my works from 2014-2023, Introducing the Center for Digital Narrative exhibition, University of Bergen Library, Nov 2023 - Jan 2024. Curator: Scott Rettberg. 
• 2023, ‘The (m)Otherhood of Meep (the bat translator)’, More than meets AI exhibition, Worth Ryder Gallery, US Berkeley, USA. Curator: Scott Rettberg & Eamon O'Kane.
• 2023, ‘Aesthetic Bodies’. Bodily Knowledges exhibition, Oodi Library, Helsinki. Curator: Aaron Knochel & Team. 
• 2020, ‘Data Stream: with audio’, showing at MoCA L.I.ghts projection festival as part of Pandemic Projections, Long Island, New York, USA. October 2020 – December 2020. Curators: Gianluca Bianchino & Jeanne Brasile.
• 2020, ‘Prosthetics for a Changing Climate: Hypertext Edition’, Fall for the Book Festival, (Online due to pandemic), Fairfax, Virginia, USA. Curators: Jason Nelson & Anastasia Salter.
• 2020, ‘Data Stream’, Gardenship Art House Drive-ins. June 25th^th. Kearny, New Jersey, USA. Curators: Gianluca Bianchino & Jeanne Brasile.
• 2020, ‘What is Human Now?’, Alone Together, ZAZ10TS Gallery. June 16^th-July 30th. Times Square, NY, New York, USA.
• 2020-21, ‘Representing Fieldwork (no. I)’ Queensland Regional Art Awards touring exhibition. Various galleries around Queensland, Australia (some dates pushed back by Covid-19).
• 2020, ‘Data Stream’, Pandemic Projections, Wavelength Arts. June 10^th. Singac New Jersey, USA. Curators: Gianluca Bianchino & Jeanne Brasile.
• 2019, ‘Diffraction’ interactive application and walk, The Glucksman Gallery, Cork, Ireland. July 3^rd – 23rd. Curator: James O’Sullivan.
• 2019, ‘Anti-Climate’ generative video art, Hémisphères ArtSci exhibition, ETH (Eidgenössische Technische Hochschule) Zurich, Switzerland.
• 2018. ‘Relational Biofeedback: Fungi’ documentation of fieldwork AND ‘Memetic Soil’ interactive e-lit, Queensland EcoSciences Precinct SciArt Exhibition, 3^rd Aug – 25^th Sept. Curator: Andrew Grodecki. 
• 2017, ‘HoloPoetry’. Digital poetry projection sculpture. Judith Wright Centre for Contemporary Art, Brisbane, Australia. As part of Flying Arts exhibition, Queensland Poetry Festival. Aug 24^th – Oct 3^rd. Curator: Maya Carter-Malins.
• 2017, ‘Machinimenomenology (no. 1)’. Video art in the bank vault. Kunsthall 3.14 Gallery, Bergen, Norway. August 18^th – October 8^th. Curator: Malin Barth. 
• 2017, ‘Machinemenomonology (no.1)’, video art, Galway Art Gallery, Galway, Ireland. In conjunction with the Cuirt International Festival of Literature. April 23^rd – May 30^th. Curator: Maeve Mulrennen.
• 2017, ‘The Nonhuman Subject’. Video art. GrassRoots environmental art exhibition at Woman Made Gallery. Chicago, USA. May 5^th – June 17^th. Curator: Deb Flagel. 
• 2016. ‘glas blong huriken’ digital projection sculpture. Acquired by Brisbane Ecosciences Precinct, Department of Science, Information Technology and Innovation, Australian Government.
• 2016, ‘A Virtual Bathymetric’, holographic projection sculpture, Piksel Festival. Bergen, Norway. 24^th - 27^th November. Curator: Mei Szetu. 
• 2016. ‘Skae Plumba’ AND ‘Glas blong huriken’, new media installations Queensland EcoSciences Precinct SciArt Exhibition, 3^rd Aug – 25^th Sept. Curator: Andrew Grodecki. 
• 2016, ‘Cart-ology Apology’ holographic installation, The Churchie Art Prize finalists exhibition. QUT Art Museum. 16^th August – 15^th November. Brisbane, Australia. Curator: Vanessa Van Ooyen.
• 2016, ‘A Long, Wired Paddock’ generative animation based on climate data. Digital Departures exhibition, Caloundra Regional Art Gallery. 3^rd July – 15^th August. Caloundra, Australia. Curator: Hamish Sawyer. 
• 2016, ‘A Long, Wired Paddock’ plus digital experiments, GLOW Light Festival, Gold Coast, Australia. Curators: Gold Coast Arts Council. 
• 2016, ‘Shadows blister those who try to touch’ video and sculpture version. Distinguishable from Magic exhibition, East Broadway, NY, USA, plus exhibition at Collar Works Gallery, Troy, NY, USA, 26^th June – 27^th July. Curator: Julia Buntaine. 
• 2016, ‘Shadow Blisters’ video version. Metro Arts Gallery. Brisbane, Australia. Curator: Jade Ellis. 
• 2015-2016, ‘to arrive by chance’ interactive HTML5 artwork/poetry touring in 2015 one year long Queensland Regional Arts Awards Touring Exhibition. Queensland, Australia. Curator: Dr. Lisa Chandler.
• 2015-2016, ‘to arrive by chance, sound art version’ in Di_Stanze one year touring Festival of Sound Arts, Sicily, Italy.
• 2015, ‘if-notNow, if-then-when-else’ interactive lit/poetry html5 exhibited for FONLAD Digital Arts Festival and Web Art Centre. 21^st Nov – 31^st Dec. Spain. Curator: Jose Vieira.
• 2015, ‘An Argument in Parallel Incompleteness’ interactive poetry game. Sunshine Coast Art Prize finalist’s exhibition. 10^th Oct- 1^st Nov, Maroochy Arts & Ecology Centre. Maroochydore, Australia. 
• 2015, ‘An Argument in Parallel Incompleteness’, University of the Sunshine Coast Gallery. 6^th Oct- 8^th Oct. Sunshine Coast, Australia. Curator: Dawn Oelrich. 
• 2015, ‘An Argument in Parallel Incompleteness’ live solo show at Queensland Poetry Festival. 28^th – 30^th August, Queensland, Australia. Curator: Anne-Marie Te Whui & David Stavanger.
• 2015, ‘All Your Old Devices Miss You’, projection mapping onto sculpture at Gertrude Street Projection Festival, Melbourne, Australia. July 10-19th. Curator: Kym Ortenburg. 
• 2015, ‘Poetesthesia’ glitch art in shipping container, Maroochy Music and Visual Arts Festival. Maroochydore, Australia. 
• 2015, ‘An Argument in Parallel Incompleteness’ projection mapping edition for The Old Museum, Brisbane, Australia. Curator: Johnny Legobye. Supported by Backbone Arts. 
• 2015, ‘if-notNow, if-then-when-else’ in The New Unconscious exhibition, SciArt in America, East Broadway, New York, USA. Curator: Danielle Kalamaras.
• 2015, ‘An Argument in Parallel Incompleteness’ interactive art/poetry game, CURRENTS New Media Festival, Santa Fe, USA. June 12-28th. Curator: Frank Ragano & Marianna Arnster.
• 2015, ‘The Roaring Borealis’, 2high Festival, 9th to 11th Jan, Brisbane, Australia. Curator: Jamie Behrendorff.
• 2015, ‘if-notNow, if-then-when-else’ interactive art/poetry html5, 05 Languages exhibition, Gallery T and Pixelinn, Paris, France. Curator: Nikolas Koroloff.
• 2015, ‘Virality Vitality ytilativ ytilariv’ interactive glitch work. <O>PEN literary collection, curated by Pascalle Burton & Queensland Poetry Festival. 
• 2015, ‘Flying Fox Falls’ and ‘Infinite Extinction’, In Their Hands – art for and about sustainability. Carindale Sustainability Centre. Carindale, Australia. Curator: Genevieve Robey.
• 2014, ‘Little Boxes’ projection mapping/sculpture in LUXLUMIN projection festival, 26-28 September, supported by La Luna Youth Arts, Townsville, Australia. Curator: Michelle Hall. 
• 2014, ‘Wasp’s Nest’ voice sound art published in Huellkurven Journal, 3. Editors: Thomas Halvlik, Jorg Piringer, Jorg Zemmler. 
• 2014, ‘Sine Wave Roofs’ voice sound art for Haze Netlabel Sound Interpretations: Reykjavik, Issue Haze315. 
• 2014, ‘An Argument…’ early version, Queensland Games Festival  Games exhibition and symposium, Brisbane, Australia. Curator: Lubi Thomas.
• 2014, ‘to arrive by chance’ exhibited in Un-Natural Nature exhibition, East Broadway, New York, USA. Curator: Julia Buntaine. 
• 2014, ‘You are Vital’ projection mapping/sculpture exhibited for Scenic Rim Cultural Trails in conjunction with ‘Live at the Centre’. 3rd-4th May. Scenic Rim, Australia.
• INDEPENDENT Curatorial WORK:
• 2024. Exhibition Curator: Wild Media, iDMAa (International Digital Media and Art Association annual conference) Media Art Exhibition 2024, Minnesota, USA. 
• 2023. Exhibition Curator: Wild Media: Wired Wilderness, iDMAa (International Digital Media and Art Association annual conference) Media Art Exhibition 2023, online. 
• 2018. Event Producer & Artist: ‘Bio-relational Walking’ live event within the Brisbane Botanical Gardens, Australia, in conjunction with Systems exhibition, ‘Mind the Gap’ Australasian Systematic Botany Society Conference 2018. 3rd December. 
• PRINT FICTION AND PRINT POETRY PUBLICATION:
• 2015, ‘Landwhales’ in Petrichor: Visible Ink, 27, RMIT Press, Melbourne.
• 2014, ‘Red Sequins’ in One Page: Brisbane, 1(8).
• 2013, ‘Train to Victoria’ in Lip Magazine. e-pub.
• 2005, ‘I am a Grass Spirit’, in ArtLook, 9: 30. 
• 2005, ‘Summer’, in Unreal Estate, 6: 46. 
• 2004, ‘She knows’, in Unreal Estate, 5: 30. 
• 2004, ‘Rusty boat, in Unreal Estate, 5: 31. 

Principal Investigator project examples:

• Nonhuman Voices: Artistic Animal Vocalisation Translation: https://research.qut.edu.au/morethanhuman/projects/grey-headed-flying-fox-vocalisation-machine-listening/
• Young People and Care for Nonhuman Species: Designing immersive and interactive experiences that promote care: https://research.qut.edu.au/morethanhuman/projects/young-people-and-care-for-nonhuman-species-designing-immersive-and-interactive-experiences-that-promote-care/
• Designing and theorising multispecies artistic play: Dogs and accelerometers: https://research.qut.edu.au/morethanhuman/projects/multispecies-interactive-art-with-domesticated-dogs/
• Creative Thinking in Science Fieldwork: Absurdist artistic intervention for ecological fieldwork: https://research.qut.edu.au/morethanhuman/projects/creative-thinking-in-citizen-science-fieldwork-derive-in-nature/
• Animals and Digital Aesthetics: Designing and theorising digital and interactive aesthetics for nonhuman species: https://research.qut.edu.au/morethanhuman/projects/interactive-and-digital-enrichment-for-flying-foxes/