Forskning
Stuart Sillars has been Professor of English Literature at Bergen since 1999, having previously been a member of the Faculty of English at the University of Cambridge. His research has mainly focussed on the relations between literature and the visual arts, on which he has written and lectured extensively. His earlier publications were on literature and art during the two world wars, and illustration in the novel, but he has also written on the contention between modernism and tradition in the early twentieth century. He now works largely in the area of Shakespeare and the visual arts, in particular the exchange of concept and technique between theatre, illustration and painting, as well as Shakespeare and the idea of character in the early modern theatre. His teaching in Bergen involves all areas, from first year survey courses to doctoral supervision, and he also travels extensively to lecture and teach throughout Europe and the USA. From 2011 to 2013 he was Professor II at the University of Agder.
Professor Sillars is joint general editor of Early Modern Culture Online, associate editor of Cahiers elisabethains, and editorial board member of The Nordic Journal of English Studies; American, British and Canadian Studies (Romania); Oasis (New Delhi); and Countertext (Malta). He is on the editorial board of The Greenwood Shakespeare Encyclopedia, for which he is also illustrations editor.
He is a member of the Norwegian Academy of Arts and Sciences; a Visiting Fellow of Sidney Sussex College, Cambridge; and an Honoraray Research Fellow of the Shakespeare Institute, University of Birmingham
Undervisning
Teaching ranges across periods and levels, from the 100-level survey course to doctoral supervision.
Courses at 200 level have included work on Shakespeare and Modernism, and at 300 level the early Twentieth-century English novel, Shakespeare and the visual sense, Shakespeare and the Victorians, metaphysical poetry, and the long eighteenth century.
MA theses supervised have included topics from a wide diversity of genres and periods, from Chaucer through seventeenth-century poetry and Shakespeare to recent and contemporary film adaptations.
I am always happy to discuss ideas for Master's theses that discuss aspects of English writing from all periods, with a particular interest in those that combine literature with the visual arts or music.
Doctoral thesis supervision has covered the poetry of Paul Muldoon, the teaching of English poetry in Norwegian schools, African tragedic theatre and the poetry of Ezra Pound, and aspects of Shakespeare's plays in visual form.
Publikasjoner
Fremhevet artikkel i media
Vitenskapelig artikkel
- Stuart Sillars (2003). Questioning Englishness: Mark Wallinger and the Art of Instability. (ekstern lenke)
- Stuart John Sillars (2004). Addicted: Notes from the belly of the beast. (ekstern lenke)
- Stuart Sillars (2012). En Midsommernatts Drøm, Bergen Festival 5 June 2012. (ekstern lenke)
- Stuart John Sillars (2004). The notebooks: Interviews and new fiction from contemporary writers. (ekstern lenke)
- Stuart Sillars (2008). British First World War Poetry. (ekstern lenke)
- Stuart Sillars (2010). Macbeth's Nightmare. (ekstern lenke)
- Stuart Sillars (2013). Desolation and Distress: William Dyce's 'Henry VI at Towton'. (ekstern lenke)
- Stuart Sillars (2013). Vorticist Shakespeare: Wyndham Lewis's "Timon of Athens" Portfolio. (ekstern lenke)
- Stuart John Sillars (2004). Entering the landscape. (ekstern lenke)
- Stuart John Sillars (1999). Poetry 1900-1950 (Chapter XIV: 2a). (ekstern lenke)
- Stuart Sillars (2010). Framing the Frame: Shakespeare and the Cadre. (ekstern lenke)
- Stuart Sillars (2015). 'Shakespeare in Colour: Illustrated Editions, 1908-14'. (ekstern lenke)
- Stuart Sillars (2002). 'Translation as Process Record: the Scientific Paper as Temporary Verbal Link'. (ekstern lenke)
- Stuart Sillars (2016). Remembering Shakespeare. (ekstern lenke)
- Stuart Sillars (2013). Defining spaces in eighteenth-century Shakespeare illustration. (ekstern lenke)
- Stuart Sillars (2009). Reading Illustrated Editions: Methodology and the Limits of Interpretation. (ekstern lenke)
- Stuart John Sillars (2005). Seeing, Studying, Performing: 'Bell's Edition of Shakespeare' and Performative reading. (ekstern lenke)
- Stuart Sillars (2012). A Midsummer Night's Dream in Illustrated Editions, 1838-1918. (ekstern lenke)
- Stuart Sillars (2009). Costume, Rank and Race: Othello's Visual Identity in the Eighteenth Century. (ekstern lenke)
- Stuart Sillars (2010). Disquiet in the Bierkeller. (ekstern lenke)
- Stuart Sillars (2015). 'Afterword: Page and Stage, Pasts and Presents'. (ekstern lenke)
- Stuart Sillars (2001). Morton D.Paley: Portraits of Coleridge. (ekstern lenke)
- Stuart Sillars (2001). Globalisation and the Loss of the text. (ekstern lenke)
- Stuart Sillars (2013). Strange Nativity: Hogarth's 'Scene from "The tempest"'. (ekstern lenke)
- Stuart John Sillars (2004). Home. (ekstern lenke)
- Stuart Sillars (2011). Prince of Suspense. (ekstern lenke)
- Stuart John Sillars (2004). Drying the Bones. (ekstern lenke)
- Stuart Sillars (2008). British Romanticism. (ekstern lenke)
- Stuart Sillars (2002). '_Things to Come_ and "Newsreel": Versions of Cinematic Influence'. (ekstern lenke)
- Stuart John Sillars (2007). Image, Genre, Interpretation: the visual identities of The Comedy of Errors. (ekstern lenke)
- Stuart John Sillars (2007). 'Howsoever, strange and admirable:' A Midsummer Night's dream as via stultitiae. (ekstern lenke)
- Stuart Sillars (2001). The Praxis of Transdisciplinarity. (ekstern lenke)
- Stuart John Sillars (2008). Sightlines: Don't mention the E Word. (ekstern lenke)
- Stuart Sillars (2010). Drawing the Void. (ekstern lenke)
- Stuart Sillars (2013). Defining Spaces in Eighteenth-Century Shakespeare Illustration. (ekstern lenke)
- Stuart John Sillars (2004). Drought' and other stories. (ekstern lenke)
- Stuart Sillars (2015). '"Louder, the Music there!": Meaning, Rhythm and Effect in Shakespeare's Language'. (ekstern lenke)
Konferanseforedrag
- Stuart Sillars (2013). Illustration and reading in Macbeth. (ekstern lenke)
- Stuart Sillars (2002). Ironising Continuity: Forster, Woolf and the Burden of Tradition. (ekstern lenke)
- Stuart Sillars (2009). Reading Shakespeare in the Illustrated Edition. (ekstern lenke)
- Stuart Sillars (2009). Shakespeare Illustration as Critical Interpretation. (ekstern lenke)
- Stuart Sillars (2009). Shakespeare, Illustration and Criticism. (ekstern lenke)
- Stuart Sillars (2002). Reading Image, Reading Text: Issues in Visual Criticism. (ekstern lenke)
- Stuart John Sillars (2008). Paradise Envisioned: Landscape, Narrative and Idea in Medina and Blake. (ekstern lenke)
- Stuart Sillars (2014). Macbeth and Tragedy: Imaging the Downfall. (ekstern lenke)
- Stuart Sillars (2016). Shakespeare, Illustration and Interpretation. (ekstern lenke)
- Stuart Sillars (2010). Photography and Victorian Shakespeare. (ekstern lenke)
- Stuart Sillars (2014). 'The excellence of this Dance consisted in its intricacy'. (ekstern lenke)
- Stuart John Sillars (2007). Painting Shakespeare 1720-1820. (ekstern lenke)
- Stuart Sillars (2010). Illustrated Shakespeare and the limits of interpretations. (ekstern lenke)
- Stuart Sillars (2009). Shakespeare Atomised: Late Victorian Visual readings. (ekstern lenke)
- Stuart John Sillars (2005). Image, Genre, Interpretation: the Visual Identities of 'The Comedy of Errors'. (ekstern lenke)
- Stuart Sillars (2011). German Paintings and Illustrations of Shakespeare. (ekstern lenke)
- Stuart Sillars (2011). Shakespeare , Painting and Aesthetics. (ekstern lenke)
- Stuart Sillars (2013). Performance and Image: the Terry-Irving Macbeth, 1888. (ekstern lenke)
- Stuart Sillars (2013). Imaging Othello: Visual Directions. (ekstern lenke)
- Stuart Sillars (2009). Shakespeare in the Illustrated text: Richard III, Henry V and Romeo and Juliet. (ekstern lenke)
- Stuart Sillars (2002). Borrowed Attitudes (continued). (ekstern lenke)
- Stuart Sillars (2002). Reading paintings, reading plays: Eighteenth-century Shakespeare Paintings as Literary Reinventions. (ekstern lenke)
- Stuart Sillars (2014). Reading the Illustrated Shakespeare, 1709-1875. (ekstern lenke)
- Stuart Sillars (2017). Shakespeare's Creative confusions. (ekstern lenke)
- Stuart Sillars (2013). 'Love's Labour's Lost' and Visual Composition. (ekstern lenke)
- Stuart Sillars (2002). Seeing Shakespeare: Text, illustration and Performance. (ekstern lenke)
- Stuart Sillars (2002). Introducing Literature: Shakespeare and Turgenev. (ekstern lenke)
- Stuart Sillars (2019). Shakespeare and the uses of the image. (ekstern lenke)
- Stuart Sillars (2010). Shakespeare, Time and the Victorian Visual Sense. (ekstern lenke)
- Stuart Sillars (2010). Ordering Time in Victorian Shakespeare Images. (ekstern lenke)
- Stuart Sillars (2003). Screen Play: Experiencing Cyberculture. (ekstern lenke)
- Stuart Sillars (2003). 'General Ideas and the Familiar Pathetic': Hogarth, reynolds and Shakespeare. (ekstern lenke)
- Stuart John Sillars (2007). Shakespeare in the illustrated edition. (ekstern lenke)
- Stuart Sillars (2002). Re-reading Jaques. (ekstern lenke)
- Stuart Sillars (2001). The moon as monarch in A Midsummer Night's dream. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare and Visual Structures: Reading the Shrew Induction. (ekstern lenke)
- Stuart Sillars (2018). Transformation and Variation in Shakespeare's Tragedic canon: the Roman Plays. (ekstern lenke)
- Stuart John Sillars (2006). Shakespeare and the Eastern Mediterranean. (ekstern lenke)
- Stuart John Sillars (2006). Reading the Stage: The Illustrated Shakespeare. (ekstern lenke)
- Stuart John Sillars (2008). Shakespeare and Painting: the plays and visual criticism. (ekstern lenke)
- Stuart Sillars (2010). Reading Illustrated Shakespeare. (ekstern lenke)
- Stuart John Sillars (2005). Imaging Othello: Character and Play in Eighteenth-century Illustration. (ekstern lenke)
- Stuart Sillars (2011). Shakespeare and Fable; reorganising time in silent films of The Tempest and A Midsummer Night's Dream. (ekstern lenke)
- Stuart Sillars (2009). Time and the Visual Sense in Victorian Staging. (ekstern lenke)
- Stuart Sillars (2011). Richard II and the Politics of Perspective. (ekstern lenke)
- Stuart Sillars (2013). The Moment of Tragedy: visualising Macbeth. (ekstern lenke)
- Stuart Sillars (2002). Image and Meaning in Eighteenth-century Shakespeare Painting. (ekstern lenke)
- Stuart Sillars (2002). Iconography and Appropriation: Shakespeare Painting in the Eighteenth Century. (ekstern lenke)
- Stuart Sillars (2002). Borrowed Attitudes: Allusion, Displacement and Appropriation in the later Eighteenth Century. (ekstern lenke)
- Stuart John Sillars (2008). The Illustrated Shakespeare. (ekstern lenke)
- Stuart John Sillars (2008). Shakespeare and the Uses of Parody. (ekstern lenke)
- Stuart John Sillars (2008). Parody and the Erotic Beast: Relocating Titania and Bottom. (ekstern lenke)
- Stuart John Sillars (2008). /Love's Labour's Lost/ and Visual Criticism. (ekstern lenke)
- Stuart Sillars (2003). Shadowed Laughter: Shakespeare's Discomfortable Comedies. (ekstern lenke)
- Stuart Sillars (2003). Sybchronous invention: Time in Eighteenth-Century Shakespeare Painting. (ekstern lenke)
- Stuart John Sillars (2007). Shakespeare and the Illustrated Edition. (ekstern lenke)
- Stuart Sillars (2001). A Minimalist Eventyr: King Lear in Bergen. (ekstern lenke)
- Stuart Sillars (2002). The Illustrated Short Story: Towards a Typology. (ekstern lenke)
- Stuart Sillars (2001). Lodon, Modernism and the Idea of Change. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare's Visual fractures: the Perspective and the Mirror. (ekstern lenke)
- Stuart Sillars (2012). 'Are ye fantastical?': a Visual History of Macbeth. (ekstern lenke)
- Stuart Sillars (2017). What do we mean by 'King Lear'?. (ekstern lenke)
- Stuart Sillars (2015). Casting the Canon: Questions and definitions. (ekstern lenke)
- Stuart John Sillars (2008). Reading the Illustrated Text: Towards a Methodology. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare and European Romantic Imaging. (ekstern lenke)
- Stuart Sillars (2009). Framing and reframing Shakespeare: Introductory thoughts. (ekstern lenke)
- Stuart Sillars (2009). Two lectures and a seminar on Shakespeare and the visual arts. (ekstern lenke)
- Stuart Sillars (2010). Emblem and Image in Richard II. (ekstern lenke)
- Stuart John Sillars (2005). Visualising Shakespeare: the Eighteenth Century. (ekstern lenke)
- Stuart Sillars (2009). 'You lie, you are not he': Identity, Rhetoric and Convention in Shakespeare's Art of Lying. (ekstern lenke)
- Stuart Sillars (2009). Generative Imprecision: Painting, Circumstance and Fiction. (ekstern lenke)
- Stuart Sillars (2002). _The Rainbow_, History and Feeling. (ekstern lenke)
- Stuart Sillars (2002). Seeing Shakespeare: Text, Illustration, Performance (14 lectures). (ekstern lenke)
- Stuart Sillars (2002). Literature (6 lectures on Shakespeare and Turgenev). (ekstern lenke)
- Stuart Sillars (2014). Shakespeare Imaged: The Shrew, The Tempest and the Workings of Comedy. (ekstern lenke)
- Stuart Sillars (2013). The Tempest: A Visual History. (ekstern lenke)
- Stuart John Sillars (2008). Graduate seminars on Shakespeare and visual art. (ekstern lenke)
- Stuart John Sillars (2008). Issues and Methods in reading Illustrated Shakespeares. (ekstern lenke)
- Stuart Sillars (2010). 'Imaging "Othello": the Play in Painting and Illustration'. (ekstern lenke)
- Stuart Sillars (2003). The Art of Brevity (2). (ekstern lenke)
- Stuart Sillars (2003). Illustration and the English Novel. (ekstern lenke)
- Stuart John Sillars (2007). Shakespeare and Illustration. (ekstern lenke)
- Stuart John Sillars (2007). Shakespeare and the Illustrated text. (ekstern lenke)
- Stuart John Sillars (2007). Shakespeare,Illustration and critical reading. (ekstern lenke)
- Stuart Sillars (2012). 'Best painter's art': the Sonnets and Visual Imagination. (ekstern lenke)
- Stuart Sillars (2015). Christianity, staging and ambivalence in Shakespeare's tragedies. (ekstern lenke)
- Stuart John Sillars (2006). Visiting Fellow, University of New Delhi, Nov-Dec 2006. (ekstern lenke)
- Stuart John Sillars (2008). The Illustrated Shakespeare and Critical Reading. (ekstern lenke)
- Stuart Sillars (2010). henry Fuseli, 1741-1825: the Artist as Interpreter. (ekstern lenke)
- Stuart Sillars (2011). Shakespeare, Paragone and Dramatic Composition. (ekstern lenke)
- Stuart Sillars (2009). Shakespeare through the Looking Glass: the Portraits, Again.... (ekstern lenke)
- Stuart Sillars (2009). Why The Pictures Matter: Writing /The Illustrated Shakespeare/. (ekstern lenke)
- Stuart Sillars (2011). Beyond Life and Death: States of Ecstasy in Shakespeare Images. (ekstern lenke)
- Stuart John Sillars (2004). Painting Shakespeare: the Artist as Critic. (ekstern lenke)
- Stuart John Sillars (2004). Visualising Shakespeare: the Artist as Critic 1728-1805. (ekstern lenke)
- Stuart Sillars (2013). A Midsummer Night's Dream - A Visual History. (ekstern lenke)
- John Stuart Sillars; Stuart Sillars (2002). Cultural Undermining in First World War Poetry. (ekstern lenke)
- Stuart Sillars (2002). An Introduction to _A Midsummer Night's Dream_. (ekstern lenke)
- Stuart Sillars (2002). Shakespeare and Empire (14 lectures). (ekstern lenke)
- Stuart Sillars (2002). Shakespeare's Time, Shakespeare's Space: Painting the Plays in the Eighteenth Century. (ekstern lenke)
- Stuart Sillars (2013). The Movement of Tragedy: Visualising Macbeth and Hamlet. (ekstern lenke)
- Stuart Sillars (2013). Language, Performance, Adaptation: Some Central Issues. (ekstern lenke)
- Stuart Sillars (2013). Narrative, allegory, likeness: painting and drama. (ekstern lenke)
- Stuart John Sillars (2008). Shakespeare, Time and Painting. (ekstern lenke)
- Stuart Sillars (2013). Dimensions of Time in Victorian Shakespeare Images. (ekstern lenke)
- Stuart Sillars (2013). Time and Trajectory: the visual image as defining force. (ekstern lenke)
- Stuart John Sillars (2008). Shakespeare and the Illustrator. (ekstern lenke)
- Stuart Sillars (2010). Opening and closing remarks. (ekstern lenke)
- Stuart Sillars (2003). An Introduction to _The Taming of the Shrew_. (ekstern lenke)
- Stuart John Sillars (2007). Play, page and image in renaissance drama. (ekstern lenke)
- Stuart Sillars (2003). Now and in England: Poetry, Experience and Time. (ekstern lenke)
- Stuart Sillars (2014). Closing remarks and commentary. (ekstern lenke)
- Stuart John Sillars (2007). The Illustrated Shakespeare 1709-1875. (ekstern lenke)
- Stuart Sillars (2010). James Barry's Shakespeare Paintings. (ekstern lenke)
- Stuart Sillars (2001). Rolling metaphors and megametaphors. (ekstern lenke)
- Stuart Sillars (2001). England's Shakespeare: Shakespeare's England. (ekstern lenke)
- Stuart Sillars (2015). Closing remarks. (ekstern lenke)
- Stuart Sillars (2012). Eugene delacroix and Shakespearean Transculturation. (ekstern lenke)
- Stuart John Sillars (2006). Boydell, Shakespeare and the Dialogues of National Identity. (ekstern lenke)
- Stuart John Sillars (2006). Shakespeare and the Visual Sense (seminar chair). (ekstern lenke)
- Stuart Sillars (2010). Shakespeare and the Ambiguities of Knowledge. (ekstern lenke)
- Stuart John Sillars (2006). Reading the Stage: Shakespeare, performance and illustration. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare and Aesthetic Identity. (ekstern lenke)
- Stuart Sillars (2010). Images and the last plays. (ekstern lenke)
- Stuart Sillars (2011). Richard II and Visual Composition. (ekstern lenke)
- Stuart Sillars (2011). Shakespeare Painting and Aesthetic Identity. (ekstern lenke)
- Stuart Sillars (2009). Style, Rhetoric and Identity in Shakespearean Soliloquy. (ekstern lenke)
- Stuart John Sillars (2004). Painting Shakespeare: the Artist as Critic, 1720-1820. (ekstern lenke)
Vitenskapelig bokkapittel
- Stuart Sillars (2014). James Barry's Shakespeare Paintings. (ekstern lenke)
- Stuart Sillars (2019). Shakespeare's Visual Fractures: Mirror and perspective in Richard III. (ekstern lenke)
- Stuart Sillars (2016). Photography. (ekstern lenke)
- Stuart John Sillars (2005). The Visual Sense and Cultural Exclusion in 'A Saloonkeeper's Daughter'. (ekstern lenke)
- Stuart Sillars (2013). Sounding Macbeth's resonances. (ekstern lenke)
- Stuart Sillars (2011). Merchant of Where? The Venetian Plays in English Visual Culture. (ekstern lenke)
- Stuart John Sillars (2008). Oracy and Belonging. (ekstern lenke)
- Stuart John Sillars (2004). The Illustrated Short Story: Toward a Typology. (ekstern lenke)
- Stuart Sillars (2013). Style, Rhetoric and Identity in Shakespearean Soliloquy. (ekstern lenke)
- Stuart Sillars (2008). A Shakespeare for the Nation: Boydell's /Collection of Prints/. (ekstern lenke)
- Stuart Sillars (2013). Parody and the Erotic Beast: Relocating Titania and Bottom. (ekstern lenke)
- Stuart Sillars (2013). Shakespeare temaju festmenyek es az eszetikai identitas. (ekstern lenke)
- Stuart Sillars (2017). Anthony Munday’s Zelauto: Illustration and Reading in the Later Elizabethan Romance. (ekstern lenke)
- Stuart Sillars (2001). Jaques and the Wounded Stag. (ekstern lenke)
- Stuart Sillars (2011). Close Reading, Illustration and Productive Ambivalence. (ekstern lenke)
- Stuart Sillars (2019). Christianity, Staging and Ambivalence: Tragedy as Via Negativa in Shakespeare and After. (ekstern lenke)
- Stuart Sillars (2015). Epilogue: Painting Shakespeare. (ekstern lenke)
- Stuart Sillars (2009). Image, Word and Authority in the early Modern frontispiece. (ekstern lenke)
- Stuart Sillars (2014). Shakespeare and the Rhythms of Devotion. (ekstern lenke)
- Stuart Sillars (2016). Shakespeare and the Visual Arts. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare and the Visual Arts. (ekstern lenke)
- Stuart Sillars (2013). ‘You lie, you are not he’: Identity, Rhetoric and Convention in Shakespeare’s Art of Lying. (ekstern lenke)
- Stuart Sillars (2002). Geoffrey Grigson as Art Critic. (ekstern lenke)
- Stuart Sillars (2011). Shakespeare and the Ambiguities of Knowledge. (ekstern lenke)
Vitenskapelig monografi
- Stuart Sillars (2011). Shakespeare, Time and the Victorians: A Pictorial Exploration. (ekstern lenke)
- Stuart John Sillars (2006). Painting Shakespeare: The Artist as Critic, 1720-1820. (ekstern lenke)
- Stuart Sillars (2015). Shakespeare and the Visual Imagination. (ekstern lenke)
- Stuart Sillars (2013). Shakespeare and the Victorians. (ekstern lenke)
- Stuart Sillars (2018). Shakespeare Seen: Image, Performance and Society. (ekstern lenke)
- Stuart John Sillars (2007). Fields of Agony: British Poetry of the First World War. (ekstern lenke)
- Stuart Sillars (2021). Picturing England Between the Wars: Word and Image 1918-1940. (ekstern lenke)
- Stuart John Sillars (2008). The Illustrated Shakespeare, 1709-1875. (ekstern lenke)
- Stuart Sillars (2013). The Illustrated Shakespeare. (ekstern lenke)
Tidsskriftomtale
- Stuart Sillars (2003). Peopling the Wound. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare and the Middle Ages. (ekstern lenke)
- Stuart Sillars (2010). Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. (ekstern lenke)
- Stuart John Sillars (2008). The artist as original genius: Shakespeare's "Fine Frenzy" in late-eighteenth-century British art. (ekstern lenke)
- Stuart Sillars (2009). Orwell in Context: Communities, Myths, Values. (ekstern lenke)
- Stuart Sillars (2010). Review of Margareta de Grazia and Stanley Wells, ed: The New cambridge Companion to Shakespeare Studies (Cambridge: Cambridge University Press, 2010). (ekstern lenke)
- Stuart Sillars (2017). Review of Shakespeare’s women and the fin de siècle, by Sophie Duncan, Oxford, Oxford University Press, 2016. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare and the medieval world. (ekstern lenke)
- Stuart Sillars (2010). Review of Mcmullan, Gordon: 'Shakespeare and the Idea of Late Writing' (Cambridge: Cambridge University Press, 2007). (ekstern lenke)
- Stuart Sillars (2010). Review of Christine Dymkowski and Christie carson, ed. Shakespeare in Stages: New theatre Histories (Cambridge: Cambridge University Press, 2010). (ekstern lenke)
- Stuart Sillars (2012). Labor's lost: women's work and the early modern English stage. (ekstern lenke)
- Stuart Sillars (2009). Review of /Orwell in Context: Communities, Myths, values/ by Ben Clarke. (ekstern lenke)
- Stuart Sillars (2012). The Library and Archive Collection of the University of Aberdeen. (ekstern lenke)
Populærvitenskapelig artikkel
- Stuart John Sillars (2001). Fra gul til glitter. (ekstern lenke)
- Stuart John Sillars (2007). Drawing the Reader In. (ekstern lenke)
- Stuart Sillars (2009). His face; the facts: review of Shakespeare found!, ed Stanley Wells. (ekstern lenke)
- Stuart Sillars (2001). Dickens best i bokform. (ekstern lenke)
- Stuart Sillars (2009). Affection or Affectation (A nineteenth-century Troilus and Cressida illustration). (ekstern lenke)
- Stuart Sillars (2011). Prince of Suspense: Daniel Maclise's painting of Hamlet. (ekstern lenke)
- Stuart Sillars (2009). Meditations on Love and Performance (two illustrations to Romeo and Juliet). (ekstern lenke)
- Stuart Sillars (2016). Stuart Sillars on the Visual inShakespeare. (ekstern lenke)
- Stuart Sillars (2009). A Turbulent Pastoral: West's painting for /As You Like It/. (ekstern lenke)
- Stuart Sillars (2014). The Horror to Come. (ekstern lenke)
- Stuart Sillars (2012). The new Machiavel: Henry Fuseli's Henry V. (ekstern lenke)
- Stuart Sillars (2011). Quite Fabulous - John Dicks' Shakespeare. (ekstern lenke)
- Stuart Sillars (2011). Let's talk of epitaphs: Hubert Gravelot and Much Ado about Nothing. (ekstern lenke)
- Stuart Sillars (2012). Through a glass darkly: Charles Knight's Twelfth Night. (ekstern lenke)
- Stuart Sillars (2012). Deceitful truth: Hogarth's Richard III. (ekstern lenke)
Forelesning
Antologi
- Stuart Sillars (2019). Breaking the Image in the renaissance. (ekstern lenke)
- Lene M Johannessen; Stuart Sillars; Dominica Dipio (2009). Performing Change: Identity, Ownership and Tradition in Ugandan Oral Culture. (ekstern lenke)
- Laura Tosi; Stuart Sillars (2011). Visions of Venice in Shakespeare. (ekstern lenke)
- Stuart Sillars; Dominica Dipio (2013). Performing Wisdom: Proverbial Lore in Modern Ugangan Society. (ekstern lenke)
- Rupin Desai; Stuart Sillars (2014). Shakespeare the Man. (ekstern lenke)
- Tom Bishop; Alexander, C. Y. Huang; Stuart Sillars (2013). The Shakespearean International Yearbook : Special Section, Macbeth. (ekstern lenke)
- Michele Marrapodi; Stuart Sillars (2017). Shakespeare and the Visual arts: The Italian influence. (ekstern lenke)
- Bruce R Smith; Stuart Sillars (2016). The Cambridge Guide to the Worlds of Shakespeare. (ekstern lenke)
- Frank Occhiogrosso; Stuart Sillars (2011). Shakespeare Closely Read: Written and Performance Texts. (ekstern lenke)
- Lene M Johannessen; Stuart John Sillars; Dominica Dipio (2008). Performing Community. (ekstern lenke)
- Stuart Sillars; Dominica Dipio (2012). Traditional Wisdom: Folktales from Uganda. (ekstern lenke)
- Stuart Sillars (2013). Shakespeare International yearbook. (ekstern lenke)
- Bhim Dahiya; Stuart Sillars (2011). Scholars in Shakespeare; A Postmodern Scrutiny. (ekstern lenke)
Vitenskapelig litteraturgjennomgang
- Stuart John Sillars (2008). review of 'The Artis as Original Genius' by William Pressly. (ekstern lenke)
- Stuart John Sillars (2008). Compound Visions: henry Fuseli's /Midsummer Night's dream/ Paintings. (ekstern lenke)
- Stuart John Sillars (2007). Review of Lindley, /Shakespeare and Music/ and Clausen, /Macbeth Multiplied/. (ekstern lenke)
- Stuart Sillars (2019). England, Whose England?. (ekstern lenke)
- Stuart John Sillars (2005). Shadowplay. (ekstern lenke)
- Stuart Sillars (2012). Shakespeare and the medieval world [review of three books]. (ekstern lenke)
- Stuart John Sillars (2005). Shakepeare's Visual Theatre. (ekstern lenke)
- Stuart John Sillars (2008). 'Early but Late' (Review of /Two Gentlemen of Verona/, ed. Michael Warren, The Oxford Shakespeare. (ekstern lenke)
- Stuart Sillars (2022). The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century. (ekstern lenke)
Medieintervju
Utstillingskatalog
Leksikonartikkel
Lærebok
Se en full oversikt over publikasjoner i Cristin
Books
Shakespeare and the Victorians (Oxford Shakespeare Topics) Oxford University Press, 2013
Shakespeare, Time and the Victorians: A Pictorial Exploration Cambridge and New York: Cambridge University Press, 2011
The Illustrated Shakespeare, 1709-1875 Cambridge and New York: Cambridge University Press, 2008
Fields of Agony: British Poetry of the First World War Penrith, Cumbria: Humanities Ebooks, 2007
also available as a Kindle
Painting Shakespeare: The Artist as Critic, 1720-1820 Cambridge and New York: Cambridge University Press, 2006
Structure and Dissolution in English Writing, 1910-1920 London: Macmillan and New York: St Martin's Press, 1999
Visualisation in English Fiction, 1840-1940 London and New York: Routledge, 1995
also available as an e-book
British Romantic Art and the Second World War London: Macmillan and New York: St Martin's Press, 1992
Art and Survival in First World War Britain London: Macmillan and New York: St Martin's Press, 1987
Articles and reviews in Shakespeare Survey, Shakespeare Quarterly, Archiv, Interfaces, English Studies and numerous other journals
For a full list of articles and contributions to collections, see FRIDA via the link above
Prosjekter
Professor Sillars is the founder and director of the Bergen Shakespeare and Drama Network, a group of international scholars that meets regularly to exchange research and develop new projects and activities in which research students are fully involved as equal members. For more information, see https://www.uib.no/rg/bsdn
From 2007 to 2012 he was the Norwegian co-ordinator of a five-year research project funded by NUFU, in collaboration with Makerere University, Uganda, on Ugandan oral forms as a repository of traditional wisdom. The project has produced three volumes of essays,a collection of folktales in translation and an archive of text and video material housed in Makerere.
He was also the co-curator, with Dr Erin Blake, of 'The Extra-Illustrated Shakespeare' exhibition, Folger Shakespeare Library, Washington D.C., 24 January - 25 May 2010.
Forthcoming publications
Shakespeare and the Visual Imagination Cambridge University Press (in production, due 2015)
Multiple contributions to The Greenwood Shakespeare Encyclopedia
Macro entry on Shakespeare and visual art and micro entry on Photography for The Cambridge World Shakespeare Encyclopedia, New York: Cambridge University Press
Articles on the Shakespeare paintings of Man Ray; the mirror in Elizabethan drama; Shakespeare, rhythm and music.
Current writing
Eden at Half-Time, a study of ideas of England in word and image, 1918-39, for Oxford University Press.
Collection of essays, some new, some reprinted, for Cambridge University Press.
Commissioned articles on illustration in the sixteenth-century English Romance; illustrated editions of Shakespeare, 1910-20.