- stephen.amico@uib.no
- Phone number
- +47 55586974
- Visitor address
-
Lars Hilles gate 3
5015 Bergen - Postal address
-
P.O. Box 7800NO-5020 BergenNorway
Research groups
- Foundational Questions in Gender and Sexuality Research
- Research Group for East Slavic Languages, Societies and Cultures
- Musicology Research Group
Short info
Research
I am very interested in postdisciplinary approaches, related to materiality, decoloniality, and technology
Teaching
@ UiB
Music, Gender, and Sexuality
Popular Music Studies
Introduction to Musicology
Musikk, Kultur, og Samfunn
Russian Music: From Concert Hall to Dance Club
@ Other Univerities (City University of New York, University of Pennsylvania, University of Amsterdam, University of Vienna)
Sounding Colonial/Decolonial: Gender, Music, Queerness
Introduction to Music, Gender, and Sexuality
Music, Gender, and Sexuality in Russian and Soviet History and Culture
Music, Media, and Space
Sound Cultures
Research in Context
Theoretical Approaches to Popular Music
Russian and Soviet Music and Culture
Introduction to Music
Introduction to World Music
Publications
Conference lecture
- Stephen Amico (2018). "Voice, Body, Culture". (external link)
- Stephen Richard Amico (2023). Ethnomusicology, Queer Studies, and the Unsustainable Humanities. (external link)
- Stephen Richard Amico (2024). Performance/Potentials/Possibilities. (external link)
- Stephen Amico (2015). Eurovision’s Potemkin Villages: Polina Gagarina and the Past as Post-. (external link)
- Stephen Amico (2015). An Analog Approach to Digital Listening: Presence, Absence, and Russian Pop. (external link)
- Stephen Amico (2017). “People’s Artist” on the Global Stage: Russian Popular Music and Polyphonic Embodiment Stephen Amico. (external link)
- Stephen Amico (2018). "Gender, Sex, Polyphonic Embodiment". (external link)
- Stephen Amico (2018). "Music Video, Public Debate, Affective Demolition". (external link)
- Stephen Richard Amico (2014). Sodomy? Pederasty? Bestiality?! (Mis-) Reading Russian Media Texts as Gay Propaganda. (external link)
- Stephen Amico (2015). Queerness and/as Capitalism; or, the Comforts of Gender. (external link)
- Stephen Amico (2015). The Russian Madonna?: Valeriia, Polyphonic Bodies, and Russian Expressive Culture. (external link)
- Stephen Richard Amico (2015). Bodies, Genders, and Postfeminist/Posthumanist Voices. (external link)
- Stephen Richard Amico (2024). Silence(ing) = Death: On Ethnomusicology, Queer Studies, and the Monologic Humanities. (external link)
- Stephen Richard Amico (2024). "Queering" Ukraine (?). (external link)
- Stephen Amico (2015). Bodies, Genders, and Voices. (external link)
- Stephen Richard Amico (2018). The Female Voice in Russian Popular Music. (external link)
- Stephen Amico (2019). All the Possible Bodies: Fashion, Phenomenology, and the Anti-Narrative of the “Virtual” Runway. (external link)
- Stephen Amico (2017). “Girls” Behaving “Badly”: Women, Violence, and Vigilantes in Russian Pop Videos. (external link)
- Stephen Amico (2017). How to Do Things with Theory: Queerness, Cultural Authority, and Post-Soviet Popular Music. (external link)
Academic article
- Stephen Richard Amico (2014). “The Most Martian of Martianesses": Zhanna Aguzarova, (Post-) Soviet Rock ‘n’ Roll, and the Musico-Linguistic Creation of the Outside. (external link)
- Stephen Richard Amico (2001). "I Want Muscles": House Music, Homosexuality and Masculine Signification.”. (external link)
- Stephen Richard Amico (2020). “We Are All Musicologists Now”; or, the End of Ethnomusicology. (external link)
- Stephen Amico (2016). Digital voices, other rooms: Pussy Riot’s recalcitrant (in)corporeality. (external link)
- Stephen Richard Amico (2009). Visible Difference, Audible Difference: Female Singers and Gay Male Fans in Russian Popular Music. (external link)
Academic book chapter
- Stephen Richard Amico (2024). Sexed Bodies/(Im)Possible Bodies/Polyphonic Bodies. (external link)
- Stephen Richard Amico (2006). "Su Casa es Mi Casa": Latin House, Sexuality, Place. (external link)
- Stephen Amico (2018). How to Do Things with Theory: Cultural “Transcription,” “Queerness,” and Ukrainian Pop. (external link)
Encyclopedia entry
Academic monograph
Journal review
See a complete overview of publications in Cristin.
Most of my publications are available via open access. If you can't find something you need, feel free to contact me.