Konferanseforedrag

• Stephen Amico (2018). "Voice, Body, Culture". (ekstern lenke)
• Stephen Richard Amico (2023). Ethnomusicology, Queer Studies, and the Unsustainable Humanities. (ekstern lenke)
• Stephen Richard Amico (2024). Performance/Potentials/Possibilities. (ekstern lenke)
• Stephen Amico (2015). Eurovision’s Potemkin Villages: Polina Gagarina and the Past as Post-. (ekstern lenke)
• Stephen Amico (2015). An Analog Approach to Digital Listening: Presence, Absence, and Russian Pop. (ekstern lenke)
• Stephen Amico (2017). “People’s Artist” on the Global Stage: Russian Popular Music and Polyphonic Embodiment Stephen Amico. (ekstern lenke)
• Stephen Amico (2018). "Gender, Sex, Polyphonic Embodiment". (ekstern lenke)
• Stephen Amico (2018). "Music Video, Public Debate, Affective Demolition". (ekstern lenke)
• Stephen Richard Amico (2014). Sodomy? Pederasty? Bestiality?! (Mis-) Reading Russian Media Texts as Gay Propaganda. (ekstern lenke)
• Stephen Amico (2015). Queerness and/as Capitalism; or, the Comforts of Gender. (ekstern lenke)
• Stephen Amico (2015). The Russian Madonna?: Valeriia, Polyphonic Bodies, and Russian Expressive Culture. (ekstern lenke)
• Stephen Richard Amico (2015). Bodies, Genders, and Postfeminist/Posthumanist Voices. (ekstern lenke)
• Stephen Richard Amico (2024). Silence(ing) = Death: On Ethnomusicology, Queer Studies, and the Monologic Humanities. (ekstern lenke)
• Stephen Richard Amico (2024). "Queering" Ukraine (?). (ekstern lenke)
• Stephen Amico (2015). Bodies, Genders, and Voices. (ekstern lenke)
• Stephen Richard Amico (2018). The Female Voice in Russian Popular Music. (ekstern lenke)
• Stephen Amico (2019). All the Possible Bodies: Fashion, Phenomenology, and the Anti-Narrative of the “Virtual” Runway. (ekstern lenke)
• Stephen Amico (2017). “Girls” Behaving “Badly”: Women, Violence, and Vigilantes in Russian Pop Videos. (ekstern lenke)
• Stephen Amico (2017). How to Do Things with Theory: Queerness, Cultural Authority, and Post-Soviet Popular Music. (ekstern lenke)

Vitenskapelig artikkel

• Stephen Richard Amico (2014). “The Most Martian of Martianesses": Zhanna Aguzarova, (Post-) Soviet Rock ‘n’ Roll, and the Musico-Linguistic Creation of the Outside. (ekstern lenke)
• Stephen Richard Amico (2001). "I Want Muscles": House Music, Homosexuality and Masculine Signification.”. (ekstern lenke)
• Stephen Richard Amico (2020). “We Are All Musicologists Now”; or, the End of Ethnomusicology. (ekstern lenke)
• Stephen Amico (2016). Digital voices, other rooms: Pussy Riot’s recalcitrant (in)corporeality. (ekstern lenke)
• Stephen Richard Amico (2009). Visible Difference, Audible Difference: Female Singers and Gay Male Fans in Russian Popular Music. (ekstern lenke)

Vitenskapelig bokkapittel

• Stephen Richard Amico (2024). Sexed Bodies/(Im)Possible Bodies/Polyphonic Bodies. (ekstern lenke)
• Stephen Richard Amico (2006). "Su Casa es Mi Casa": Latin House, Sexuality, Place. (ekstern lenke)
• Stephen Amico (2018). How to Do Things with Theory: Cultural “Transcription,” “Queerness,” and Ukrainian Pop. (ekstern lenke)

Leksikonartikkel

• Stephen Richard Amico (2003). Disco. (ekstern lenke)

Vitenskapelig monografi

• Stephen Richard Amico (2014). Roll Over, Tchaikovsky!: Russian Popular Music and Post-Soviet Homosexuality. (ekstern lenke)
• Stephen Richard Amico (2023). Ethnomusicology, Queerness, Masculinity: Silence=Death. (ekstern lenke)

Tidsskriftomtale

• Stephen Richard Amico (2003). Book Review of You Better Work: Underground Dance Music in New York City. (ekstern lenke)
• Stephen Richard Amico (2014). Book review of Music and Fashion (Janice Miller). (ekstern lenke)

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